Categories
Read

An astonishing children’s library at Churchgate

The Vohu Mano library has a lifetime membership of Rs 350 only, plus children can read rare titles as well.
by The Diarist | thediarist@themetrognome.in

Inside the Theosophy Hall just opposite the American Centre at New Marine Lines, there is a lovely little children’s library that houses every sort of book, comic and encyclopaedia that a child could possibly desire. Books such as the Trixie Belden series, now not available in most bookstores, back issues of The National Geographic, a towering collection of Amar Chitra Katha comics and a host of beloved children’s authors are neatly displayed on its shelves.

The fourth floor library has a lifetime membership fee of only Rs 350. “It is actually a refundable deposit, and there are no other charges,” says a ‘student’ who manages the centre (all Theosophy followers in the building prefer not to use their names and call themselves ‘students’.) She adds, “The deposit is refundable only after six months, however. The idea behind such a small deposit is that even those chidren who cannot afford to purchase books can have access to good reading material at our library.”

Vohu Mano is ancient Persian for ‘The superior mind’. The student says, “People who come here for the first time are surprised at our vast collection of books, apart from the low lifetime fees. After the library started in 1962, its fees were Rs 5 for the longest time. However, we have had to progressively increase the deposit amount to meet our operational costs.” The library does not purchase any books but relies solely on donations from the public or the United Lodge of Theosophists. “It is lovely to see children as young as 10 years of age come with several books and leave them with us,” the student says. “So many children come with even 15 books sometimes, and some of the books are in mint condition.” The library also accepts monetary contributions for the upkeep of the library.

Interestingly, though the library insists on membership up to 18 years of age, several parents and older collegians also drop by to borrow books. “Since there are several offices in the area, it is the parents that come to borrow books for their children. But they also find books interesting to them, such as our encyclopaedias. College students, especially borrow our educational material for their project work,” she says.

The library now boasts of a 1,000+ membership. “There are 15 to 20 visitors every day,” she says. “It helps that we have a nice reading room where children can select a book and read without interruption.”

About the library:

– There is a refundable Rs 500 deposit to be paid if you want to borrow reference material.

– Children can borrow one old book and one new book at a time. Alternatively, they can borrow two magazines, or one book and one magazine.

– The library began in 1962 with over 1,000 books in English and over 100 books in Gujarati, Urdu, Hindi and Marathi.

(Picture courtesy www.childrensbooksandmusic.com)

The Diarist is always on the lookout for interesting book-related nooks. If you know of a good reading room or unexplored library, do write in to thediarist@themetrognome.in and the diarist will feature the place. 

 

 

Categories
Read

Two Pants on fire

Business journalist Meghna and stand-up comic and humour writer Sorabh Pant are siblings and first-time authors. Any similarities end there.
by The Editors | editor@themetrognome.in

Meghna and Sorabh Pant have been writing since childhood, and it was a happy coincidence that their debut novels were snapped up by the same publisher. Sorabh’s book was published first, and Meghna’s followed a few months later. The siblings were born just a year apart, and though they share so much in common, their approaches to writing and even answering interview questions were very different. In an e-mail interaction with The Metrognome, the duo traced their writing journeys and the creative processes backing their first books.

What inspired you to write your first book? Why this story? Is there an inspiration from real life?

Meghna: The longest I’ve ever lived away from India was from 2008 to 2010, and when I returned home to Mumbai it didn’t feel like home anymore. I almost felt betrayed because I’d been carrying this image of old India in my head as the ultimate truth, while the place had changed to an extent where my truth had become deviant. That was also a time when reverse immigration peaked and divorce became commonplace. There was a tectonic shift of the golden age from the US to India, and a raging debate about modernity versus traditionalism. I combined these triggers as the narrative for Amara Malhotra’s story in One & A Half Wife.

Sorabh: A combination of depression and curiousity, induced by working in TV for too long. Fortunately, I switched to stand-up and being an author, which has quelled all such tendencies. Also, it was a challenge to write a funny book about the world of death – I mean, who does that? Aside from every major religion.

What was the first story you ever wrote? How old were you and what was the story about?

Meghna: I wrote a short story called Aberration which explored love of an unusual kind and this was actually published by a website called freshlimesoda. I was only 19 at that time and absolutely thrilled.

I started writing seriously around five years back, though at that time it was only short stories. To improve my art, I took several writing courses in New York, and after a fair share of rejections, my short stories slowly began to be published in reputed US literary magazines. The idea for a full-length novel, One & A Half Wife, came only in 2009.

Sorabh: I started writing when I was about 11. I was a fat, nerdy kid and the only person who would talk to me would be a pen, so I wrote all sorts of nonsense – it was complete gibberish about owls and pigeons and dreams. I think I may have been a girl.

How did Meghna’s background (as a journalist) and Sorabh’s (as a stand-up comic) help in the writing of your first books?

Meghna: Fiction is a subjective field, all about emotions and experiences, while finance and journalism are objective fields, based on data and facts. Yet, journalism techniques have come in handy for me while creating stories. It has taught me to write economically, within the bounds of reason, while keeping in mind what is interesting to a reader, and to pay careful attention to what’s going on in the world around me. It’s easy as a writer to shut myself from the world, so being a journalist forces me to keep seeing what’s out there.

Sorabh: It’s shaped it considerably. It made it easier to find the funny in some pretty strange situations. I mean, making fun of Pythagoras and flying Elephants was a whole lot easier with the background. Though, after a point I had to pull it back a bit because instincts told me to almost shove in a joke every three seconds. Fortunately, a lot of them weren’t funny, so people thought I was being serious.

How long did you take to write your book?

Meghna: It took a year. I think seeing him (Sorabh) getting published gave me the impetus to also begin work on a full-length novel. I finished the novel a year later, in October 2010. Westland signed me on in January 2011.

Sorabh: Mine took eons. Close to five years. Mainly because it involved a hell of a lot of mental and physical research about what different mythologies and religions thought about death AND also because, I refused to cut down a lot of my content, little knowing it was coming in the way of the plot. The upside is the book is nice and erudite right now. The downside is that my climax is not exactly what I would have wished it to be.

If I hadn’t ended (writing before Meghna) first, it would have been a Chernobyl-like disaster. And, more embarrassing. Thoda reputation I had to hold up. I finished The Wednesday Soul about seven-eight months before her. And, just when I thought she would be off my back, the exact same publishers (Westland) accepted her book. These sisters are very persistent. Taking rakhi ka bandhan a bit far.

It’s interesting that both of you got published within months of each other, and both your manuscripts were snapped up by the same publisher. Can you explain how this happened?

Meghna: It was sheer coincidence. I sent my novel submission to a few publishers, including Westland. Prita Maitra from Westland was the first among all the publishers to respond to my submission, and since she was passionate about my novel, I went ahead with her.

Sorabh was signed by Westland before I even started writing One & A Half Wife. In fact, Westland did not know that we were brother and sister till much after they’d signed me on.

Sorabh: I got picked up by them first. Then they offered a buy one get one sister book free offer. Simple.

Coincidence. And, also they’re good publishers, and both books are good!

How did the two of you help each other during the writing process and after it?

Meghna: Since we write different genres and have different writing styles, there wasn’t much we could discuss in terms of plot, character building or the narrative. What we were able to share were technicals, such as sentence structure, pace and grammar usage. But it was on a personal level that we were really able to support one another. Writing is a solitary process and we gave each other the space and solitude to write.

Our novels came out within months of each other, and we have so much to talk about! Sorabh has been through the rigmaroles (before me) so I seek his advice on every little matter, and he’s very patient and supportive.

Sorabh: She helped me with a lot of editing, I helped her with a lot of backslapping and, “You go, girl” kind of nonsense. Also, since I experienced book launches and readings way before her, I could share my wisdom (read: mistakes) with her. It worked out well – her book is outselling mine. In retrospect, I wish she had been published first. HAHAHAHHA.

What is your parents’ feedback on your books?

Meghna: They loved it, but were very amazed that their children – born just a year apart –write so differently from one another.

Sorabh: My parents are both equally awesome. My mom has read both our books twice each and marked mistakes in plot and grammar with a pencil. My dad has read every newspaper since 1963, so he has little interest in novels but, he read both of ours. They said supportive things about both the novels, they’ve always been supportive. I think their feedback is similar to most readers – my book is more off kilter and insane, so it takes a little bit of concentration to read it, but, if you do – the pay-off is terrific. Mum said it was surprising that I had thought of this at the tender age of 27. But, she’s my mum – she’s legally obligated to think I’m a genius. Meghna’s book is easier to read and slicker. Our folks are awesome, we raised them well.

What are you working on currently?

Meghna: My collection of short stories is ready for publication. I am also in the early stages of writing my second full-length novel based in – and between – India and China. It’s a dark comedy that portrays a family’s greed, lust and power, in the wake of geopolitical tension.

Sorabh: I’m going nuts with stand-up. Currently travelling abroad and trying to get foreigners to notice my comedy, which is weird since few Indians in India noticed it! And, working on the second book – it’s going to be utterly kickass. Whatever I learned writing the first – positives and negatives –with a whole lot of madness. I think it may surprise a few people AND appeal to a hell of a lot more people.

 

 

Categories
Read

Working better in Mumbai: A special analysis

Clyde D’Souza (author of Kissing Ass – The Art of Office Politics) lists five ways to improve your working conditions.

1. Spondylitis chhutti

Stop cribbing about the potholes in Mumbai and make them work for you! Use them as a valid excuse to cash in on unscheduled spondylitis leave. Then head to Goa and drown yourself in Kingfisher beer. When you do return with a hangover, just ensure you wear a neck brace. Your boss will be forced to go easy on you.

2. Flirt jam

So there’s a hot chick in the office but there’s no way you can get her to yourself thanks to all the other despos around. Asking her out would only make her think you’re a pervert (which you are). So the only thing you can do is offer to drop her home – even if she lives in Dombivali. Then sit back in the rick and use the never-ending jam to get to know her better.

3. Mid-week partying

A five-day week is totally unfair but there’s nothing stopping you from mid-week partying. Head out to a stand-up act, karaoke or late night movie. If your boss is cool enough, take her along so she won’t give you grief when you show up late the next day.

4. Bonding over Bollywood

Making small talk with the boss in Mumbai is a little bit better than bonding with the boss in Delhi (political bullsh*t), or Kolkata (more political bullsh*t). Because we live in Mumbai, we can totally ditch boring conversations and make small talk about Sallu’s latest fight with SRK or Ranbir’s latest girlfriend.

5. Mall meetings

Office meeting rooms are boring because they are filled with ugly colleagues you want to punch in the face. So why be stuck in hell when you can use legal means to escape? Mumbai offers a variety of malls with great air conditioning and killer restaurants. Schedule a meeting with a client over a working lunch and spend the rest of the day window-shopping!

About Clyde’s book

Kissing Ass The Art of Office Politics is a non-sloppy guide to surviving and succeeding at the workplace. In it, you will find answers to such critical issues as:

Have you ever wondered what to say to the CEO in the loo? Or how to leave work early or bunk on a Monday?
Or maybe you want to spot the cool guys in the office or are wondering how to cover your ass in an email?

If you’ve been working (as I have) for a number of years, I’m sure you’ve already done some of the above  and played the great game of office politics.

Massaging your boss’ ego

Who to CC and BCC in your emails

How to get away with sex at work

Writing a farewell mail

Clyde D’Souza is the author of Kissing Ass – The Art of Office Politics. He is currently stuck in a traffic jam.

 

Categories
Read

‘Book distribution is tougher than film distribution’

Author Naomi Datta gets candid about the business side of book-writing, and the things authors and publishers don’t normally discuss.
by Vrushali Lad | vrushali@themetrognome.in

Naomi Datta is funny and fresh, constantly peppering her comments on writing and getting noticed for her first book, with a healthy dose of self-deprecating humour. We’re sitting at a suburban cafe and all I’ve told her about the interview is that I want to know about how she came to write her first book and the progress she’s making on her second. Her first, The 6 pm slot, was a no-holds barred look into television and dealing with its ecstasies and agonies, all in the back drop of a reality show featuring a hot host.

“I’m not making much progress on the second book,” she grins, only revealing that her next offering is a non-fiction work. “I don’t want it to be just another book. In India, we’re always labelling fiction – it’s either literary or commercial fiction. My first book immediately got slotted as a work of commercial fiction, and unfortunately, such books are not taken too seriously. Our idea of literary fiction is to write about really serious themes, such as NRIs and their existential crises, or a war situation in some obscure part of the world. Everything else is commercial fiction which is not to be taken seriously.”

She adds that it is very easy to be published today, in what she cheekily terms as the post-Chetan Bhagat era. “Before he wrote about call centres and IITs, it was a very big deal to be published. If you had a book coming out, people knew about your book and you, even if they hadn’t read it. But Chetan wrote about Indian issues, things we could understand and relate to. And then so many young Indian authors had books coming out after Chetan and Amish Tripathi’s books. My book would probably not have been published in the earlier, staid market. There was no way anyone would publish an Indian book that didn’t have angst, which did not have an international appeal, and which was about television. So I guess Chetan has made it very easy to get published today.”

But she admits that it is that much more difficult to stand out in the crowd of new authors today, especially because commercial fiction in India tends to take the ‘FMCG mould of writing,’ as she puts it. She says, “With writing that is not always of great quality, commercial fiction today is trying to be as ‘massy’ as possible, catering to the lowest common denominator. The use of satire and irony may not appeal to everyone. Which creates a problem for writers like me, who do well with satire.”

Despite The 6 pm Slot being reviewed and written about extensively, and with Naomi being interviewed by all and sundry, the book garnered only about 10,000 copies in sales, she says. “The marketing of the book was great – we had a launch at Crossword and it was all well done. Also, Random House took a lot of effort on the manuscript – about six months were spent in editing and proofing alone. But because of the cover, people thought it was chick lit. I have nothing against chick lit if it’s written well. But my book wasn’t about a girl trying to lose weight or a woman looking for the right man; it wasn’t about women’s issues.” She adds that several readers thought that the protagonist of the book (Tanya) was ‘not very proactive’. “But she wasn’t the protagonist at all. I guess people wanted her to be a ‘heroine’, but the book was about everyday people like you and me, and what we would do if put in the same situations.”

But a bigger issue than formulaic writing and readers’ usual expectations from plot and language, Naomi says, is the problem of book distribution and how it is being handled in the country.

“I think book distribution is more difficult than film distribution in India. When my book was launched, everyone spoke about it, but barely two weeks later, there were hardly any copies to pick up at any of the book stores. Other authors have also told me about this problem. May be one or two copies of your book would be tucked away in some remote corner of stores. If people can’t see it, why will they buy it?” She laughs as she recalls that she would send out Flipkart links for her book to friends and others wishing to buy it. “I even had a list which told me which stores had how many copies of my book at the moment: Two in one, five in the next, and so on!”

She cites Chetan Bhagat and Amish Tripathi again in the context of cracking the distribution puzzle. “Their publishers flood the market with their books, with the result that Chetan’s books are sold even in the country’s small towns. But not every body has that kind of reach, nor such phenomenal print runs, so a lot of debut authors are having to make the effort to market their own books themselves.”

Naomi adds that these days, with so many books flooding the market each month, authors may have to enlist the help of a good PR machinery and use social networking as much they can. “When I was writing my book, I had only about 90 followers on Twitter. Today I have over 4,000, and I wish I had harnessed Twitter to create a buzz about my book.” Naomi tweets daily and often updates her Facebook status messages. “But I think that social networking is also distracting authors today, because we are constantly tweeting and spending time on FB, when we should be investing time in writing our novels. So while it’s great for an author to be connected to many people, it can also affect your output as a writer.”

About The 6 pm Slot

Tania has a dream job as supervising producer at YTV, a leading entertainment channel. But things are not what they seem – YTV’s ratings and fortunes are dipping, and Tania is the one assigned to resurrect the 6 pm slot with a new talk show and a scantily clad host. But when a dying girl calls on the show, the fun and games come to a screeching halt and it gives Rajneesh Tiwari, the demi god of Indian news television, one of his most explosive ‘human interest’ stories of the year. Will life ever be the same for Tania or anyone involved in the doomed 6 pm slot?

The idea for the story came from Naomi’s real-life experience of putting together a show for a popular music channel. The programme was to feature a busty, seriously sexy female host, but two weeks before shooting began, the femme fatale developed chicken pox. “She had marks all over the famous cleavage that we wanted to flaunt, and the biggest issue was that she couldn’t wax her arms or legs. I was the only woman in a roomful of men to bring up the matter of the girl’s inability to wax. They said things like, ‘But what about Anne French?’ Someone else suggested shaving. When I thought about it later, it seemed really funny and bizarre. My friends suggested I should write it down as a story. When I took a break from television last year, this was the story I started to write,” Naomi remembers. The story was written in four months.

 

Exit mobile version