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Review: ‘More Than A Mouthful – Adventures of a dentist’

This delightful, informative book by India’s foremost aesthetic dental specialist, Dr Sandesh Mayekar, reveals many secrets and truths about our teeth.
by The Editors | editor@themetrognome.in

Our teeth are actually our best asset, though we give more credence to our eyes and noses and even our smile, not realising that teeth in bad condition or with the wrong alignment often mar the symmetry of the face. We are guilty of neglecting our teeth till such time that we develop a dental problem so severe that it necessitates a visit to the dentist. Most of us don’t even brush our teeth properly.

More than a mouthful- CoverIn the light of this, Mumbai-based dentist Dr Sandesh Mayekar’s delightful book, More Than A Mouthful – Adventures Of A Dentist is an insightful look (literally) into our mouths to reveal many of our secrets. The good doctor has a thriving practice in Mumbai and is the dentist to many of the film industry’s stars, but he also treats economically backward patients at very low rates or even for free. Throughout his illustrious career, Dr Mayekar has discovered and treated myriad dental conditions that caused their respective sufferers days of agony – one even contemplated suicide due to a mysterious ‘clicking’ sound his teeth made for over 16 hours a day!

Dr Mayekar explains various diseases and situations in an easy, humane manner, employing humour without being condescending. For instance, in the chapter ‘Every breath you take’, he outlines some cases of severe halitosis with a nice blend of compassion and humour, easily explaining that bad breath can be a result of years of tartar build-up on the teeth, or an acidity condition, or even inadequate dental hygiene. Then there’s the chapter on ‘Supermodel Smiles’, Dr Mayekar gives the case of India’s first supermodel ‘U.R’ (we all know who that is), and explains how he corrected her dark gums and tiny teeth before she went on to bag major modelling assignments. There are also incidents of gaps in teeth being repaired, of buck teeth being caused due to children sucking on their thumb, of teeth being chipped away as they bit on nails during stressful moments, even of tissues undergoing change and not letting a person eat.

The book is educational and interesting without getting into jargon (if there are medical terms, they are well explained in simple language) or involving gross, tedious descriptions of signs and symptoms. A gamut of dental problems are covered in a conversational style, and it is a good handbook even for dental students as it highlights several cases where empathy and listening led the doctor to understand why a patient was facing a particular problem. Most of all, this book seeks to remove the fear most of us associate with dentists and emphasises the importance of keeping the teeth in good condition, even when they’re not painful.

An excerpt from More Than A Mouthful – Adventures Of A Dentist:

‘Brides go for facials and hair treatments before their wedding day. Rocky, a young man who was to tie the knot the following day, walked into my clinic at about 7.30 the previous evening, asking Dr Sandesh Mayekarfor a cleanup.

The first thing I noticed when I peered into his mouth was the immense gaps in his teeth. You could virtually drive a small car through them, I thought. I straightened up and asked him, “Do you want to get married with gaps this size?”

“There is nothing I can do about it. I am not willing to wear braces – where is the time?” he replied.

He was a good-looking guy, well built. As he spoke, the gaps were clearly visible. I imagined the wedding pictures, with him looking magnificent in his achkan, turban on his head, and the picture being spoilt by the gaps in his teeth when he smiled at the camera.

I could not help telling him what I imagined. “Well, is there anything that can be done about it?” he asked. His voice was a mixture of hope and anxiety. Suddenly he could see how people would react to his wedding photographs.

I suggested a cosmetic procedure.

“Is it possible in one day?” he asked, with hope now stronger in his voice. I nodded.

He thought about it for a moment, then shook his head. “Doc, let’s just stick to the cleanup for now,” he said. “Let’s leave this for another day. I don’t think I want any pain just now.”

At that time, my practice was small; I had just one chair and was working alone. While we were talking, I did a mock-up of how his teeth would look with the gaps closed using a material called LC composite resin. It is like a paste that hardens through the shining of light on it. The technique had come into the country around 1981-82, and I had had time to master it.

…When I showed Rocky the mock-up, the was very pleased. Even his friend, who had accompanied him, was impressed.

Then Rocky changed his mind, and asked me how long it would take. Since we didn’t have much time, I suggested working on the upper teeth first and leaving the bottom teeth for later. In a smile, the upper row is always more visible.

…One long, critical look in the mirror and Rocky was so happy that he invited me to join in the celebrations. He later sent me a photograph of him smiling with his wife and family with a note that read, ‘Doc, I never imagined myself without the gaps in my teeth showing! And it has made me so confident. A couple of friends even asked me about it.’

Subsequently, after six months, we closed the gaps in the lower teeth.’

Rating: 4/5. Available for sale on Flipkart.

(Pictures courtesy pages.rediff.com, www.iaacd.org)

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RK Laxman: An uncommon cartoonist

Presenting tributes in words, pictures and cartoons for the country’s most inspired and inspiring cartoonist, RK Laxman (1921 – 2015).
by The Editors | editor@themetrognome.in

Though he wasn’t drawing his famous series of pocket cartoons in the daily The Times of India lately, cartoonist RK Laxman’s presence was indelibly linked to the publication. The famous cartoonist passed away at age 94 in Pune yesterday; on a day when the country celebrated its 65th Republic Day, Laxman took the nation’s leave after severe illness – but not before making millions of us chortle for decades.

There is hardly anything to be said about a personality as great as his, and on his passing, all one can do is reminisce about how his work touched one’s life, directly or indirectly. Here’s presenting five tributes in word and caricature to India’s greatest cartoonist.

The Times of India, a collection of RK Laxman’s best works

The Indian Express, cartoonist Unny’s pictorial tribute

Scroll.in, Rajdeep Sardesai fondly remembers the uncommon man

The Hindustan Times, a tribute 

Mid Day, a recent RK Laxman exhibition 

(Featured image courtesy www.thehindu.com)

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Review: Talking Of Muskaan

The young adult book is a wonderfully-told story of dealing with homosexuality and trying to break free of its shackles.
by Vrushali Lad | editor@themetrognome.in

I recently read Talking Of Muskaan, and I really liked it. It is a story about the terrible teens and dealing with homosexuality at an age where people are just becoming aware of several important things about themselves and the world.

The book is written in three narratives – a close friend, a relatively new friend and an acquaintance – that give three perspectives on the central character, Muskaan, a seemingly strange person who has recently started acting very ‘weird’ around even her close friends. The girl has become very withdrawn as each day passes, finally attempting to end her own life. At the heart of the matter is her supposed homosexuality, which only one person knows anything about. As her class, and more importantly, her circle of friends, begin to come to terms with her suicide bid, several truths tumble out from the not-so-perfect lives of those around Muskaan, friends who could have possibly prevented the tragedy by acting on time.

The Metrognome spoke to the book’s author, Himanjali Sankar, on her book’s bold theme, its central character and the creative process that went into the telling of the story.

Excerpts:

What inspired Talking of Muskaan

Himanjali 1I had been mulling over some ideas for many months when in December last year the earlier judgement by the High Court declaring Section 377 unconstitutional was overturned by the Supreme Court – that bothered me and also made me realise what I needed to do with the ideas I had. The book I was going to write was going to use homosexuality to give a twist to the plot but I suddenly felt after 377 that I didn’t want to use it just as a plot enabler but instead wanted to make it central to the plot.

Does Muskaan exist in real life?

I am very sure she does! Maybe not exactly as I have imagined her but there will be teen lives that reflect hers.

What kind of research went into the writing of this book?

No formal research as such. I spoke to the principal of a school to understand the RTE quota and its implementation in schools – and also to understand the softer aspects of how families and children were reacting to it. Other than that, my research entailed listening in on my daughter and her friends’ conversations and trying to figure how the teen mind worked!

Why did you leave out Muskaan from the actual storytelling process? She appears only in the others’ anecdotes.

Muskaan was there in the earlier drafts as one of the narrators but it wasn’t working – it was getting too crowded with four voices and slowing the story down. Then one of my editors suggested we do away with Muskaan altogether, which at first seemed sacrilegious, but as I tried out the idea it seemed the perfect solution. And then it made sense to call the book Talking of Muskaan.

Have any parents of teenagers read the book? What has their feedback been?

A handful of parents of teenagers have read the book and approved of it. Thankfully! I think sensitising teenagers to different ways of being can’t be a bad idea, and that is how they felt too.

___________________________

An excerpt from Talking Of Muskaan:

‘For the next ten minutes we took turns to throw and catch the ball. We did not speak but, oddly enough, it felt nice. I do not have anything against her, personally. I am only concerned about my own academic performance. I think the reason I disliked her was not just because she is the only student who is serious competition for me, academically, but also because she seems to do it without really caring. It’s so important for me and for her, it is nothing.

As we sat there, I felt like saying something to her. ‘Any particular problem?’ I asked.

As soon as I said that, I felt what a stupid question it was, and I did not expect her to reply.

‘It’s just…my friends. They get after me for stupidest reasons,’ Muskaan said. ‘You know Prateek – he wants to go out with me, it seems. And my friends are getting after me to say yes…and something happened a month back…I didn’t give it any importance, I thought it would sort itself out but it hasn’t and Aaliya is still not speaking to me.’

‘Prateek?’ I smiled. He was one of the stupidest boys in the class. ‘Why would your friends want you to go out with him?’

‘They think he’s cool and good-looking and all that.’

‘Really?’ As far as I know, Prateek is very wealthy and I suppose that is what made him cool in their eyes. It made me angry. Not at Muskaan, but at her friends.

‘And what are you running away from?’ Muskaan asked me. She asked as if she really wanted to know, which was nice.

‘Well, I don’t know. It’s just that…I feel like a misfit sometimes…My family is very different. Not, you know, well-to-do, like most of the kids in school.’ I shrugged. ‘It’s just, that it makes me feel…like an…outsider.’

I had never told anyone this before. I had never let anyone know how I felt. I did not know why I was telling Muskaan. Maybe because she seemed really interested. Also just sitting there with her, in my favourite place, it was somehow easy to talk.”

(Featured image courtesy gaysifamily.com)

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Review: ‘Beyond 2020 – A Vision For Tomorrow’s India’

APJ Abdul Kalam’s newest book raises several questions, but sadly, does not provide any answers, nor touch upon current realities.
by Humra Quraishi

Beyond 2020 – A Vision For Tomorrow’s India is the latest book written by ex-President APJ Abdul Kalam and YS Rajan. It focusses on India’s future progress in the backdrop of the existing facts and figures and the present-day situation in the country.

To quote from Dr Kalam’s introductory chapter, “Our book Beyond 2020 has fifteen chapters with extensive details on how to take the nation from progress to progress by pushing through missions on industries, services and agriculture. I feel the crying need in the country is not a shortage of plans, but arriving at the correct methodologies to implement the plans and figuring out how to reach the benefits to the people for whom the plans are intended. Today, the challenge before India and every nation is reaching the reforms and benefits to the targeted population…”

Beyond 2020He minces no words anywhere in the volume, often coming straight to the core of the issue with refreshing candour: “Based on my work in universities in India and abroad, during my teaching and research association, I have come to the conclusion that it is essential to evolve a sustainable development system framework, in the way the Providing Urban Amenities in Rural Areas (PURA) project has taken root in India. The major research and action needed is on how the benefits of sustainable development can reach the targeted population of our country.

“Hence, we have evolved two unique systems: one is called the ‘User Community Pyramid’ (UCP) and the other the ‘Societal Development Radar’ (SDR). The UCP is an integrated solution based on technologies and applications for sustainable development with possible users at the bottom of the pyramid. You have to ask yourself, what sort of research you can focus on in the areas of water, energy, waste, pollution, mobility and biodiversity, and how it is going to be connected to the user community. The second system, the SDR reviews and monitors how the user community has benefited from the UCP.”

The book ends on two significant notes, in the last chapter titled ‘Can India do it?’ It reads, “This is our four-point action plan for the nation: Making ample water available for both urban areas and the 6,00,000 villages of the country, and for irrigation…creating an earning capacity for every family, particularly the middle class and people who are below the poverty line. This is about 150 million out of the 200 million families in the country. Working toward achieving sustainable economic prosperity of the nation with the generation of employment potential for India’s 600 million youth. Evolving great cities citizens of India.

Sadly, there is no mention of the communal strains that are once again taking root in the country and steadily spreading everywhere. I wish Dr Kalam had addressed this concern, since he speaks so movingly about the betterment of all Indians and their families.

This is a detailed and thick book, and readers would do well to be aware of recent developments in the country before reading this book. As I read it, I confess I was a little befuddled also by the scores of facts, figures and theories (many of them purely scientific in nature) laid out generously all over the book – maybe I am not of a scientific bent of mind, so I found the going a bit tough with these bits.

Also, I confess I was a little disappointed with the way several important questions and issues have been touched upon, even discussed, but not sufficiently addressed. I wonder why the author didn’t attempt to provide any solutions – even opinions – on these matters.

Get a copy of Beyond 2020 – A Vision For Tomorrow’s India here.

(Pictures courtesy www.livemint.com, www.flipkart.com)

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Review: ‘One Life Is Not Enough’

Natwar Singh’s book on his life and times as a bureaucrat-turned politician is a fascinating insight into a life well-lived.
by The Editors | editor@themetrognome.in

We rarely have any patience with politicians in India, and politicians over the age of 80? Let’s just say, Congress politician and famed Gandhi family loyalist Natwar Singh’s autobiography would ordinarily not have made any ripples on the Indian book scene.

Book coverBut, as with most book releases lately, when controversial details of Sonia Gandhi’s (mis)handling of affairs and spicy excerpts about the highs and lows of the Congress party began to make their way to publications, Singh’s book One Life Is Not Enough, suddenly acquired a must-read status.

Nor does Singh disappoint. Far from being a stodgy, self-righteous look at the life and times of pre-independent and post-independent India, One Life Is Not Enough is a frank, no-holds-barred account of life behind the scenes of Indian politics. It is also an illuminating look into the machinations of the External Affairs Ministry – imagine dealing with the Chinese Premier on an ill-fated trip to India ending with failure of talks with Jawaharlal Nehru, or being constantly on the ball on a posting to Karachi during President Zia-ul-Haq’s reign. The book also describes in detail the failure of the Rajiv Gandhi Government in effectively dealing with the internal affairs of Sri Lanka, and Singh’s part in the creation of the independent country of Bangladesh.

He also describes, in not very modest terms, his successful organisation of two high-profile, international summits in one year – the Commonwealth Heads of Government meeting and the Non-Aligned Movement Summit, both in 1983. In between his role in several milestones in Indian political history, Singh also gives glimpses into his personal life – his education in England, his marriage to an Indian princess, his friendship and admiration for Indira Gandhi, and the thorny relationship he shared with Sonia Gandhi. In the preface, he writes about how Sonia sent her daughter Priyanka to ask him if he intended to write about ‘the events that took place in May 2004 before the swearing-in of the UPA Government’.

I said I intended to,” Singh writes. “No one could edit my book. I would not skirt the truth, nor would I hit below the belt. Certain proprieties cannot be ignored. Just then, Sonia walked in. ‘What a surprise!’ I said. Her overly friendly and gushing greeting bewildered me. It was so out of character. It was a giveaway. Swallowing her pride, she came to her ‘closest’ friend to surrender her quiver. It took her eight-and-a-half-years to do so.

“My book has aroused unexpected interest. I am flattered. Also mildly worried. The expectations are sky high.”

See pictures from the book:

Expectations were bound to be sky-high, come to think of it. Singh has been present in the background, and several times, the foreground, as major events shook the country in independent India. He was witness to the events leading to the Emergency in the 1970s, the rout of the Congress thereafter, the assassination of Indira Gandhi and the anointing of Rajiv Gandhi as her heir, the killing of Rajiv Gandhi and the taking over of the Congress by his widow Sonia after eight years, and the subsequent rise and fall of the Congress under the Sonia-Rahul Gandhi combine. In this context, Singh’s account is a valuable one for chroniclers of Indian history.

Besides, he writes with charming candour and humour about situations both in his personal and professional life. Interestingly, he relays even politically incorrect comments and opinions. Sample some of the comments he mentions:

I once asked Mrs Gandhi what she thought of Margaret Thatcher. She said, ‘What Iron Lady? I saw a nervous woman sitting on the edge of the sofa.”

I was walking on my terrace one day when my servant came and told me, ‘The President is on the line.’ When I took the call, President Zia, after inquiring about my health, asked me if I was free to have dinner with him that night. I agreed. He said, ‘Could you also give me a list of names of your friends?’ I replied, ‘Sir, your intelligence agency already has the names of my friends. AS for the one or two who aren’t on the list, I would like you to spare them!

[Sonia’s] English is near perfect; Hindi is the problem – she cannot speak the language without a written script in front of her. To my suggestion that she learn by heart a chaupai or two of Tulsidas’s or Kabir’s dohas and use them in her speeches, she threw her hands up. ‘I go blank even with a written text. You want me to say something extempore? Forget it.'”

For those outside the corridors of power, One Life Is Not Enough is an essential read on events in Indian history that need clarification. Singh certainly sets the record straight on many points – on how Sonia was forced to give up her idea of assuming Prime Ministership after son Rahul categorically told her not to take up the job, on how strained relations with then PM Morarji Desai posed many roadblocks in his work, and also how his jump from bureaucracy to politics was a relatively simple progression.

Rating: 4/5. One Life Is Not Enough is available for sale on Flipkart

 (All images sourced from ‘One Life Is Not Enough’)

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‘Never aimed to discuss Ekta Kapoor’s private life’

Kovid Gupta talks about chronicling the journey of Balaji Telefilms, and why Ekta Kapoor has had a profound effect on him.
by Vrushali Lad | editor@themetrognome.in

Admittedly, Ekta Kapoor and Balaji Telefilms have had a huge impact on Indian television. From introducing soap operas to Indian TV screens to steeping each of their serials’ storylines in family values, and from introducing ‘time leaps’ to help sagging TRPs and keeping storylines fresh with multiple plot twists, Ekta Kapoor truly changed the way Indians would watch TV.

Ekta KapoorTo celebrate the success of Balaji Telefilms and tell the super studio’s story to the public, which has since also successfully ventured into film production, screenwriter Kovid Gupta recently released his deeply reverential book on the subject, Kingdom Of The Soap Queen. Kovid has been a writer on the shows Balika Vadhu, Bade Achche Lagte Hain and Chhan Chhan.

The book traces the origins of Balaji Telefilms, the journey of the studio as it brought out its first serial, the dizzying heights of success it achieved with its popular ‘K’ soaps, its sudden failures and its success with offbeat films.

In an interview with The Metrognome, Kovid discusses the book, Ekta Kapoor and why he feels there is a dearth of material on Indian TV.

Excerpts from the interview:

How long did the actual research for the book take?

The research took about six months. I would say it was an ongoing process, though, because with every new chapter I would scribble, I would learn something new about Balaji.

What did the research comprise of? How many people did you interview, how many documents did you go through?

It was an exhaustive process. I spoke with nearly 100 people, including Shobha ma’am, Ekta ma’am, and people who have been a part of various departments at Balaji. This ranged from actors to directors to writers to creative heads, to even people involved with music, costuming, and editing of the many programmes. Documents wise, I had a thorough look through various online resources; [I went through] past interviews of Ekta ma’am and soap stars and numerous Balaji articles and press releases.

What has been Ekta’s influence on you, personally?

Huge. She has been a major influence on me – especially during my teenage years. I was an avid viewer of the K soaps, and attribute a lot of my understanding of Indian culture to her programmes. I grew up in the United States for most of my life, and watching the festivals, rituals, and traditions in her shows every day provided a direct connection to India.

As a business school student, there is so much I have learned just by following her entrepreneurial career. Her spontaneity amazes me. She is able to take a mundane story plot and twist it around in minutes, often time conveying the same message in a completely unexpected way – her way of telling a story has this magic to it. As a company, Balaji’s track record is one to learn from and follow. There have been times when it has produced 18 serials at a time – that’s six hours of footage every day – the length of two Bollywood movies!

How has she reacted to your book?

The book came into the market when I was not in India. As a result, I did not have the chance to meet Ekta ma’am and present the book to her as I had hoped to do. The book would have been impossible without her blessings, though. She was a huge support to me when I was doing my research and interviews. She took out her extremely precious time to talk to me about it even though she had so many films and television shows in the pipeline.

There are not many books on the Indian television space, apart from a few fictionalised accounts. Why do you think that is?

Good question. It baffles me as to why we don’t have more material out there. With the way television is growing, along with the rising corporatisation of the industry, it has become all the moreKahaani Ghar Ghar Kii important that we have material out there for aspiring entrepreneurs to use as case studies. This book was written with that exact purpose: to research and discuss the success story of the country’s most successful television production house. Young India is increasingly becoming interested in the management of show business.

I spent my college years craving for literature on Hindi television, or episodic screenplays of our soaps. When I came to Mumbai for the first time in 2010, I remember strolling into a Crosswords to find the book Soap! Writing and Surviving Television by Venita Coelho dotting the shelves. I zealously read the book cover to cover overnight. Soon after that, I started assisting Rajesh Dubey on Balika Vadhu. Rajesh Sir wholeheartedly opened up a library of old screenplays for me to study from. Having material to read is just so vital.

As a reader, I would have loved to read more of Ekta’s quotes in the book, if not an entire chapter in her own voice. Was this a deliberate omission?

The book is called “Kingdom of the Soap Queen”. The focus of the book is the kingdom itself. It is a compilation of the many stories that made Balaji what it is today. My aim has never been to discuss Ekta ma’am’s private life or her personal journey, but instead to tell the story of the company that she has been an integral part of.  The book is about the evolution of an organisation that she has so successfully brought up from the ground. The heart of the book is the stories that people have told me, in their own voices, of the learning experiences they have had, and the roles they have each played in making Balaji the empire that it is today.

What is your personal opinion on the unique phenomenon one sees, where Ekta Kapoor the TV producer of soaps projects a highly conservative image of Indian values and family life, versus Ekta Kapoor the film producer, who comes up with edgy, sometimes dark content?

Ekta Kapoor is someone who knows her audience inside out. She realises the mass appeal of television. Unlike the majority of the West, our television shows continue to enter family-dominated spaces. Maximum number of India households continue to have one television, and families continue to eat their dinners together in the company of each other. In such a scenario, controversial content has to be carefully portrayed on television. In films, one chooses to walk into a cinema hall; a person picks the group that he or she will watch a motion picture with. The movie-going experience allows for an approach that is more novel, innovative, and cutting edge. I think Ekta ma’am works on the very solidified difference between these two forms of show business.

Any observations you wish to make about the Indian TV industry and Balaji Telefilms?

We are on the cusp of an industry-wide renaissance. The sun is setting on a mere replication of successful concepts and waves of experimentation are crashing against the status quo. The increasing number of channels is leading to a level of competition that is higher than we have ever seen before; this is pushing producers to hit their creative peaks – the sky is the limit today. I’m keen to see what the eruption of the digital volcano is going to indicate for our country. Netflix is leading Hollywood rating charts with shows like House Of Cards and Orange Is The New Black. The rapid technological shift has opened up a whole new medium of episodic entertainment for audiences in India as well. Let’s see who manages to capitalise on this growing market segment.

An excerpt from Kingdom Of The Soap Queen:

‘The teenage daughter of a huge film persona plants herself in an industry run by a handful of experienced men. She runs a company from her father’s garage and fashions a weekly sitcom about five girls around the same age as herself. While she manages to achieve some prosperity, her company is far behind those of Hindi television’s veteran producers. Balaji Telefilms seems to be an adolescent’s project that has a short life expectancy. Serious content from this company seems unimaginable.

Hum PaanchWell, at least that is what the press is saying.

In spite of dabbling with television for some time and the success of Hum Paanch, Ekta was far from receiving the level of respect, regard or even courtesy that her male contemporaries were getting in show business. The newspapers and magazines of 1995 splashed Balaji’s name around as a teenage project launched with hard-earned parental savings. Many industry people were reluctant to join hands with this fledgling company. In fact, some would have even chosen unemployment over risking their reputations by collaborating with the brand-new studio-in-the-making.

While yellow journalism tends to disconcert its victims, the disparagement had a reverse effect on Ekta. She took the belittling and used it to galvanise herself. She knew if she had the ability to make people chuckle, she also had the ability to make people sigh with the sorrow of melodrama. Her company had to somehow rise above the criticism and conquer it. It was time Balaji buckled down and showed how serious it could really get. In this pursuit of tapping the unexplored dimensions of Balaji’s creativity, Shobha and Ekta took on the tricky task of soap opera production.’

(Pictures courtesy Kovid Gupta, www.gaylaxymag.com, www.startv.in, www.scoopwhoop.com) 

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