Tag: pyaasa

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Film

Restored ‘Pyaasa’ will be screened at Jio MAMI this year

Mumbai-based company Ultra has restored the yesteryear classic and will present the new print in Mumbai film festival next month.
by The Editors | editor@themetrognome.in

Pyaasa, a 1957 cult classic, will be screened in the restored section at the 17th Jio MAMI Mumbai Film Festival in Mumbai on November 1 and 3. The film will be screened at PVR ECX, Andheri and PVR, Phoenix Lower Parel respectively.

The ‘Restored classics section’ in Jio MAMI this year will screen six more films. This particular section has evoked a lot of interest amongst the festival goers and common public in general.

Produced and directed by Guru Dutt, this classic features an ensemble star cast comprising Guru Dutt, Waheeda Rehman, Mala Sinha, Johnny Walker, Rehman, Mehmood, Tun Tun etc. The movie boasts of one of the best musical scores put together by SD Burman, Sahir Ludhianvi, Mohammed Rafi, Geeta Dutt and Hemant Kumar, featuring such evergreen songs as ‘Jaane Woh Kaise Log’, ‘Yeh Duniya Agar Mil’ and ‘Jaane Kya Tune Kahi’.

The film was restored by Ultra which will also re-release the film theatrically worldwide after MAMI.

How Pyaasa was restored

The most challenging part in restoring Pyaasa was sourcing the authentic materials to complete the preservation. After much effort, Ultra found the original camera negatives of the film at an archive in India; however a lot of the parts of the negatives were either damaged or lost.

They decided to use as many parts as possible from the original camera negatives and a few parts were used from 35 mm prints. A new digital transfer was created in 2K resolution on the ARRISCAN film scanner. This in-house technology helped in applying a multidisciplinary, data-centric approach to the entire film’s restoration process.

Once the complete film was digitally transferred, came the most challenging part of restoration. Thousands of instances of dirt, lines, scratches, splices, warps, jitters and green patches were manually removed frame by frame under careful supervision by experienced artists.

The in-house talented professionals used a specialised film content mending and defect removal mechanism in their repair process. They carefully selected the best way to restore this priceless classic to its original quality.

The original monaural soundtrack was remastered at 24-bit from the 35mm optical soundtrack. Clicks, thumps, hisses and hums were manually removed frame by frame.

Says Anupama Chopra, Festival Director, Jio MAMI, “We at MAMI are indeed delighted to screen Pyaasa. There are some masterpieces of the bygone era that a lot of people have not seen, either due to their poor condition or inaccessibility. These films when restored the right way can give it a completely new life and also can help not only to be screened but also as a strong reference material.”

Categories
Do

Film and social media in Mumbai

Two events – one on films and the other on social media – will keep you entertained this Friday evening.
by Medha Kulkarni

Guru Dutt in PyaasaPyaasa, reloaded

In its 100 years of existence, the Indian film industry has produced some fabulous gems in terms of cinema. Today, make your way to NCPA, Mumbai to relive one of Indian cinema’s most iconic films, Pyaasa.

The NCPA Flashback Series, in collaboration with the NFAI, commemorates 100 years of Indian cinema. Every month, Indian cinema’s glorious past will be revisited through a selection of rare classics.

Guru Dutt’s classic melodrama was the first in a series to address the state of the nation and the displaced romantic artist. Vijay is an unsuccessful poet whose work is sold by his brothers as waste paper. Unable to bear the reigning philistinism, he chooses to live on the streets where a young prostitute, Gulab, falls in love with him and his poetry, while Vijay’s former girlfriend Meena marries an arrogant publisher for comfort and security.

When a dead beggar to whom Vijay gave his coat is mistaken for Vijay, Gulab has his poetry published in a book which becomes a bestseller. Everyone who had rejected Vijay now gathers to pay tribute to the dead poet. Vijay disrupts the celebration with a passionate song denouncing hypocrisy and calling for the violent destruction of a corrupt world.

Pyaasa

 

(B&W/Hindi/153mins/1957)

Directed and produced by Guru Dutt

Dialogues by Abrar Alvi

Cast: Guru Dutt, Waheeda Rehman, Mala Sinha, Johnny Walker and others

Head to the Little Theatre, NCPA, today at 6.30 pm. Admission on a first-come-first served basis. NCPA members will get preferential seating till 6.20 pm.

 

indiaculturelabOf social media and fashion

Social Media has been one of the biggest revolutions of this century. It has impacted every field and changed the rules. This Friday, September 27, The Fashion Funda panel discussion at the Godrej India Culture Labs seeks to explore this phenomena.

The discussion ‘Is social media the new front row?’ boasts of panelists such a Nonita Kalra (former Editor-in-Chief of Elle Magazine), Malini Agarwal (founder and Blogger-in-Chief of MissMalini), Pearl Shah (celebrity stylist and former Fashion Director of Marie Claire), Karishma Rajani (writer and blogger at the personal style blog Purple Peeptoes) and Parmesh Shahani (head of the Godrej India Culture Lab).

One of the highlights of the event is that the audience gets the chance to take a walk through  special ‘Fashionstallations’ made by Teach For India students – a look into the world of fashion as seen through a child’s eyes.

With a promise of ‘chic kababs‘ post the panel discussion, the event promises to be an engaging and interesting one.

Entry is free but seating is limited so make sure you reach the venue in time so as to not miss it. Get more information on the website www.indiaculturelab.org.

(Pictures courtesy urduwallahs.wordpress.com, 1linereview.blogspot.com, indiaculturelab.org)

Categories
Cinema@100

For ‘poster’ity’s sake

Nobody makes posters now – with film publicity employing slick special effects and promotion, poster-makers are lost to film history.
by The Editors | editor@themetrognome.in

How do you learn of a new film’s release? For a few years now, the Indian film industry has woken up to the phenomenon of heavy marketing and advertising budgets, and stills from the film start doing the rounds of newspapers and websites before the film actually hits the screens. We’re inundated by ‘news’ snippets about the film’s cast and crew, there are sudden outbreaks of romantic liaisons (or bitter breakups) while the publicity is on, and huge hoardings declare the film’s arrival all over the city.

Today, filmmakers would be silly to bank on merely displaying film posters to get the job done.

In simpler times, film posters were the soul of the film. The Hindi film industry, especially, boasted of a parallel film poster-making industry, which in turn, boasted of a bevy of skilled artists and painters who drew the dreams of millions on giant canvasses. The posters were often detailed, some depicting key scenes from the film, and comprised the film’s star billing, its director and musician, and of course, the producer. Often, one marked a lack of likeness between the faces on the poster and the actual face that inspired the painting, but with all their glitches, film posters were the audience’s first and sometimes, only glimpse of the film that was to come.

We don’t make film posters like those any more. Naturally, several artists’ brushes had to be packed away as film posters began to comprise actual photographs. The poster-painting industry closed down, the displaying of a new film acquired different dimensions.

And since such film posters are not being made today, we thought we should put together 25 of the Hindi film industry’s iconic films in traditional poster form. Happy viewing!

 

(Pictures courtesy http://www.aainaism.com, sekhareeyam.blogspot.com, asiaobscura.com, downloadsongsindian.blogspot.com, bombaymann2.blogspot.com, ilovebollywoodmovies.wordpress.com, movies.rediff.com, www.4to40.com, rit-artworld.blogspot.com, mrandmrs55.com, mrandmrs55.com, en.wikipedia.org, videshisutra.wordpress.com, www.lassco.co.uk, www.maxwell.syr.edu, www.moviesonyouku.com)

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