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Strictly a Monday evening affair

Tonight, Vikalp@Prithvi showcases two powerful documentary films about women who challenge the norm, and women trapped in a barbaric tradition.
by Medha Kulkarni

On every last Monday of the month, Vikalp@Prithvi organises free film screenings at Prithvi House. Vikalp@Prithvi is a collaboration between Prithvi theatre and Vikalp, which conceptualised and started ‘Films for Freedom’ six years ago in 2007 and has since screened several award-winning documentaries and brilliant short films.

What’s more, these films are made accessible to the general public for free.

The initiative is run by documentary filmmaker Anand Patwardhan and Chandni Parekh, psychologist and creator of online initiatives Chandni.org and Fund-A-Cause.

An assault on freedom of expression is an assault on democracy – this idea gave birth to Vikalp. What started off as a small festival has now morphed into a full-fledged movement. Vikalp insists that it is not an institution or a copyrighted idea, but is simply an inspiration, one that strives to ensure that voices of dissent will not be quashed or silenced.

Thus, the screenings that take place in various cities across the country are not necessarily in the name of Vilkap, although they do embrace its ideology. In Mumbai, there are specifically three venues that are said to be associated with this idea, namely the Tata Institute of Social Sciences (TISS) in Deonar; Alliance Francaise in Marine Lines, and of course, Prithvi Theatre in Juhu.

“All our shows are packed,” says Chandni. “Right from students, NGO professionals and filmmakers to bankers…the crowd is diverse and the post-screening discussions are enriching.”

Chandni says that the most memorable moment for Vikalp@Prithvi was in 2010, when they showed Deepa Bhatia’s film on farmer suicides, Nero’s Guests. “Many audience members voluntarily contributed to the donation box that we passed around to most of them at the end of the screening. We donated the entire amount of Rs 9,500 to Deepa to support the farmers in Maharashtra, whom she and journalist P Sainath have been helping,” Chandni says.

If you’re planning to catch a film today, you could consider these two powerful films at Vikalp@Prithvi:

Izzatnagari Ki Asabhya Betiyaan (The Immoral Daughters in the Land of Honour):

A documentary film about women who take on the powerful (and deeply misogunistic) khap panchayat is a powerful film that addresses the issues of ‘honour’ crimes, injustice and social boycotts. Directed by Nakul Singh Sawhney, the 93-minute long film chronicles the lives and stories of five young Jat women who rallied against the Khap Panchayts in their quest for freedom, justice and equality. The stories of these women are juxtaposed  with those of the Khaps. This poignant film exposes the double standards and violence that are conveniently kept out of sight and yet happen even today in a so-called modern India. The trailer of the film is here:

 

A Pinch of Skin:

This film talks about the hushed-up but rampant evil about the practice of female genital mutilation. The award-winning film exposes the brutal betrayal of innocent young girls, perprutated by a society that appears modern and yet retains the mindset of a cruel medieval one. In the guise of keeping a check on female sexuality, young pre-adolescent girls who have no control over what is being to them are the victims who have live with the burden of this life-long trauma. The narrative explores the voice of dissent (which sees this as politics of a sexual kind) intercut with those that insist that this heinous practice should be kept alive invoking the name of tradition. It is directed by film maker Priya Goswami who will be present for a Q & A session after the screening.

Screening Details: Head to Prithvi House, opposite Prithvi Theatre, Janki Kutir, Juhu Church Road, at 7 pm today, March 25. Entry is free, on a first-come-first-seated basis.

(Picture courtesy Chandni Parekh. Image is a file pic showing a post-screening discussion.)

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A great idea takes Root

The Root Reel, an initiative to bring good documentary films and discourses on them to the public, turns one today.
by Medha Kulkarni

It started off as a simple idea born out of sheer love for good documentary films and after 12 months, incredible documentaries, critical engagements, passionate debates and discussions, The Root Reel celebrates its first anniversary today.

Part of The Root, which was conceived as a platform to facilitate discourses and expression on social and environmental issues through workshops, music, film (whether animation, documentary or short film), and other cultural avenues, The Root Reel deals specifically with films. In the course of the last year, The Root has set up various forums that saw the exchange of ideas and thoughts and encouraged a critical engagement with the issue at hand.

The Root Reel has been organising documentary film screenings once a week at the Alliance Francaise Auditorium, either in collaboration with another organisation or by themselves. This weekend’s film screening is extra special as it marks a milestone in the life of The Root Reel and has been organised in conjunction with the Indian Documentary Foundation (IDF). The film being showcased is Whores’ Glory and it is being shown on a first-come-first-seated basis.

Prior to this, The Root Reel has showcased such films as Megacities, Between The Lines, NEXT: A Primer On Urban Painting and Blood In The Mobile.

Those of you that can get out of work by 6 pm today, head to the Alliance Francaise Auditorium, Theosophy Hall, near Nirmala Niketan, Churchgate, to watch this film and stay back for a bit and participate in the discussion thereafter. The film is directed by Michael Glawogger and is 90 minutes long. Entry is free.

About Whores’ Glory:

Whores’ Glory is a cinematic triptych on prostitution: three locations, three languages, three religions. Paradise, the world and the hereafter merge in prostitution to create an image of the relationship between men and women. In Thailand, women wait for men behind glass panes, staring at reflections of themselves. In Bangladesh, men go to a ghetto of love to satisfy their unfulfilled desires on trapped girls. And in Mexico, women pray to a female death so as not to see and feel their own reality. Where the most intimate becomes a commodity, the product is expensive and fiercely contested.

Look for more details on The Root and their events here.

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Big story

Mumbai’s suburbs have better sex ratio than island city

This, and other important Mumbai-specific snapshots, emerged from the Economic Survey 2012-2013, released in ongoing Maharashtra State Legislature Session today.
by The Editors | editor@themetrognome.in

At a time when crimes against women rise in Mumbai, and the question of how we treat our girls and women becomes increasingly significant – especially in the context of how many girls are allowed to be born – the Maharashtra State Economic Survey 2012-2013 throws light on the subject of sex ratios recorded for Mumbai.

As per the Survey, released today while the State Legislature continues to be in session, and prior to the presentation of the State’s Budget tomorrow, the sex ratio recorded for the Mumbai suburban region is a robust 910 (that is, 910 girls to every 1,000 boys born). However, the sex ratio for Mumbai city is 874; this means that the suburbs exhibit a healthier sex ratio as compared to the island city. The figures arise from Census 2011.

Meanwhile, the Survey points out other statistics for Mumbai:

– 67 per cent people in Mumbai city have latrines within their houses, while only 54.7 per cent of the suburbs have latrines inside their homes.

– Also, 90 per cent of city homes have bathrooms inside the house. The figure is 87.2 per cent for the suburbs.

– The Mumbai/Thane rationing area has the largest numbers for rationing cards issued in the State, at 40,76,000. A total of 7,31,413 are White Ration Card holders in Mumbai, also the highest number in the State

– Phase I of the Mumbai Metro Rail Project (Versova-Andheri-Ghatkopar), a total of 14 km, will be completed this year. 95 per cent of this phase is already complete.

– 85 per cent of Phase I of the Mumbai Monorail Project (Wadala-Chembur) is complete.

– A multimodal corridor from Virar to Alibaug will be completed in 2016. This corridor consists of freeways having eight lanes for vehicles besides dedicated lanes (spanning 140 km) for buses.

– Of all the vehicles in the State, about 21.60 lakh vehicles (10.4 per cent) are in the Brihanmumbai region.

– 210.44 lakh domestic passengers travelled by the Mumbai domestic airport in 2012, while the figures for the international airport are 94.93 lakh passengers.

– There are 61.2 per cent houses in Mumbai city with mobile-only phone connectivity, while for the suburbs, this number is 63.6 per cent.

– The most pollution in Maharashtra was seen in Mumbai, at Sion. The measured levels of Respirable Soluble Particulate Matter (RSPM) at Sion recorded from December 2011 to January 2012 were 124.49 µg/m3; the permitted level is 100 µg/m3.

(Picture courtesy indianmuslimobserver.com)

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Event

Like a thousand words on Mumbai

A review of the FOCUS Festival that has its eyes on Mumbai without being confined to one theme or genre.
by Medha Kulkarni

Last Sunday, I decided to spend my day checking out the FOCUS Festival that’s currently on in the city. Armed with a basic understanding of what the festival was about, I checked the schedule for Sunday and headed off to town, not really knowing what to expect. However, from the minute I stepped into the Gallerie Max Mueller (my first stop) I knew that this was going to be one amazing fest!

A Fantastic Legacy: Early Bombay Photography, from 1840 to 1900 is an exhibition curated by Susan Hapgood. It’s a visual treat for anyone who loves this city. The grainy black and white images hark back to a time when Mumbai was Bombay, and provide a stunning juxtaposition to the city as it is now. Each and every single photograph is an original.

My next stop was the other pivotal focus for the festival titled A Photograph is Not an Opinion – Contemporary Photography by Women, which is on display at the Jehangir Art Gallery. I think it is truly commendable that the organisers of the festival recognised the need for a separate discourse on gender and art, and thus organised such an exhibition. With works ranging across diverse themes by women photographers from around the world, this exhibition lived up to its name. Instead of pronouncing judgement, it offers people a point from where they can build on.

I decided to take a break from viewing the exhibitions and took a sneak peek at Children’s Digital Photography Workshop with Himanshu Seth. I arrived when it was nearing its end and reached in time to see excited children, who were armed with their digicams, busy planning their next photography exhibition. I spoke to some of the parents present there and asked them what they thought about the workshop. “It’s a wonderful idea. Kids these days are surrounded by technology and know much more than their parents. Such events help us channel this interest and knowledge of theirs in a healthy manner” said Anubha Chati, whose son and daughter attended the workshop.

With no other events lined up for that afternoon, I headed to the next exhibition and stopped by at The Guild, which has mounted a group exhibition featuring the works of Baiju Parthan, Gigi Scaria, Mithu Sen and Pooja Iranna. What I loved about this exhibition was that they brought four established and very different artists working in the same medium, but each having their own style, together. Gigi Scaria’s photographs of buildings arranged in a Tetris-reminiscent manner were perhaps the most engaging works on display.

I headed out towards Art Musings in Colaba next, where I viewed another group exhibition. Titled ‘37 Indian still lifes’, which is a collaboration between the gallery and Tasveer, the exhibition is a fabulous photographic documentation of Indian still life and an exploration of the narrative within it. “Sheer variety!” was the reaction of Shraddha Kulkarni, a viewer I met at this exhibition, when I asked her what she liked best about the exhibition. I had the opportunity to speak with a lot of exhibition goers and they all more or less reiterated what Shraddha said. The best thing about FOCUS, as far the masses of the city go, was the ease of accessibility to works and also the wide variety of works exhibited. No single theme or genre dominates the exhibition.

The FOCUS Festival is will be on for over two weeks from now. Look for event details here

                                       (Picture courtesy Goethe Institut, Mumbai)

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Deal with it

State bats for responsible Holi this year

Government wants the State to celebrate an environment-friendly Holi this year. You can buy natural colours at the Mantralaya, too.
by The Editors | editor@themetrognome.in

There’s a severe drought on in the State, the likes of which has not been seen for several years. The situation is set to spiral totally out of control, with farmers letting livestock go, and people looking for water to drink far and wide.

Meanwhile, the rest of the State is gearing up for Holi.

It is indeed a worrying dichotomy that while one of Maharashtra grapples with even small quantities of drinking water, cities like ours have water in plenty, and which we will use to the maximum limits when Holi arrives. Anticipating the unprecedented wastage of water that is soon to take place as the Holi celebrations get underway, State Chief Minister Prithviraj Chavan wants us all to celebrate responsibly.

What Chavan wants

“Please avoid the use of water to celebrate Holi this year,” Chavan said via a statement released earlier this evening. “Opt for natural colours and celebrate a water-less Holi if possible. The cities tend to celebrate also with plastic balloons and synthetic colours, which damage the environment and which are dangerous for health as well.”

So committed is the State to a responsible and environmentally-conscious Holi this year, that a stall selling natural colours will be set up for the public at the Mantralaya on March 21 and 22. Apart from this, public service announcements will be made through all radio and TV channels (private and government-controlled), as well as in 205 cinema theatres across the city and State. The Government will also flash these announcements on local trains and BEST buses.

Plans are also afoot to have Chavan and Deputy Chief Minister Ajit Pawar will communicate, via voice calls, with about one crore mobile subscribers and talk about using non-chemical based colours during Holi, apart from considering a water-less celebration. A letter bearing the public service message will also reach Government offices, editors of newspapers and channels, schools, colleges, courts, etc.

(Picture courtesy handmaidliset.blogspot.com)

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Overdose

Ignore that begging hand

Jatin Sharma is annoyed by beggars who play on his emotions to make money, instead of looking for honest work.

Begging was once a destiny. Now it’s a profession – it’s a chosen way of life, for all the shameful (and shameless) ones who are lazy in life.

A long time ago, Mumbai was fortunate to have real beggars, who gave you blessings, who were grateful for your help, who were really laachar and bebas. But not any more. Nowadays, when I look at beggars, I don’t see people I want to help. I see people I want to avoid, run away from because they are so utterly irritating. They desensitise every emotion in me; or maybe it is because I cannot, or don’t want to, feel another man’s pain any more.

I strictly feel that all the beggars from the city should be banned and at least in Mumbai we should act on those who beg, because begging really is illegal. For those who think I am being both brutal and politically incorrect, I would only like to say: pick a beggar and observe him/her for a week. Then you will understand  how organised the entire process of begging is. 

This has nothing to do with me being born in a better family and having more opportunity than other, less fortunate ones. Yes, I agree that these beggars didn’t get a good life like me, but that doesn’t mean that the rest of their lives should continue to be devoid of opportunity. If we continue to feel bad for them, they will continue to be beggars. Our pity is their salary.

Secondly, I have met several beggars in Mumbai and I have come to a conclusion: they are beggars not because God wants them to be, but because they want to be.

In Mumbai, no man who is willing to work will beg. And even if he has to beg – some people are victims of circumstance, being swindled out of all their money, or being abandoned by family in their old age, to state just two reasons – at least he should not irritate my city and her visitors from outside. The so-called beggars of my city are a disgrace to the financial capital of my country. And no, I don’t think that there are any individual beggars in the city, they work as a part of a larger mafia now.

They have taken over every traffic signal, every religious place and every transport station, and have slowly taken over the city. They approach people with bandaged hands that are soaked in red-coloured water, they rub their saliva on their faces to pass it off as tears, and touch people’s feet not to arouse pity in them, but a feeling of revulsion and annoyance, so that they get some money.

Take the example of the Gateway of India beggars. Most of them, exposed as they are to the constant barrage of foreign tourists thronging the site, can speak English, a smattering of French, and several other languages. They can almost correctly guess the nationalities of the visitors and have designed their begging strategies accordingly – one of which is to allot areas to people fluent in a language spoken by the foreigners most likely to frequent that area. Tell me, for a person clever enough to pick up a formal language without formal training, is it so difficult to use that cleverness in an honest trade and make honest money? Why is such a person still begging?

Begging has now evolved into a fine art. In fact, beggars are so organised and their work so scientifically carried out, I wouldn’t be surprised if a contingent of beggars was not some day invited to lecture B-students about efficiency and marketing themselves.

It’s not begging any more. Little children, unwashed and sometimes physically deformed, come up to you and ask for food. The moment you give them food, they go and sell it! Some of them are emphatic that they want money, not food, so that they can go buy some chemical to sniff at and get high, or else do cheap drugs with other children their age. Most children have to surrender the money they make from begging to a common pool each evening, from which he/she gets an equal share as allotted by the dada that controls them.

Nobody says much against them, because in India, we are an emotional lot. And we have let this menace of begging get out of hand; we have allowed it to become an organised, well-paying activity that is both demeaning and exploitative. While we have been quick to protest against the evils of drinking or prostitution, we have not been as strict with begging. As a developing country, we should be ashamed that so many of our countrymen are beggars, that so many of our young children are street urchins with no present and not much hope at a future. We hear cases of parents pushing their children out of their homes to beg – what do we do after hearing these stories?

And why would we? At the risk of sounding really harsh, let me say that at some point in all our lives, we have all begged – begged with police officers to forgive our mistakes, begged with teachers to give us grace marks and pass us, begged to be promoted, begged for another chance…begged and begged again. We excel at playing the victim card repeatedly, just to get what we want, and if we have to beg to do it, we will. Heck, we even use the term ‘beg, borrow, steal’ really easily in our normal conversation, sometimes in front of our impressionable children.

What really stops us, a country that supplies a lot of labour and technology to the rest of the world, from taking a stand? Do we lack the spine for it? Do we not have the power to set things right? Is it because we accord emotions the first priority in everything?

Is this what makes us let the beggars be, the politicians continue to scam unabated, let the country run the way it is being run? Or is it because we are too afraid to let new thoughts, however radical or tough, come to life and breathe?

Let your new thoughts take seed and grow. Don’t give out largesse to someone just because he/she makes a sad face and asks for it. Don’t pay these actors on the roads. Avoid. Ignore. And ban! 

Jatin Sharma is a media professional who doesn’t want to grow up, because if he grows up, he will be like everybody else.

(Picture courtesy rottenview.blogspot.com)

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