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Whatay!

10 BEST conductors you’ve met

We all know who really ‘drives’ the BEST buses in Mumbai – their conductors! We’ve even identified 10 different types.
by Andy Reghu | @thereghu on Twitter

You can’t love them, almost everybody hates them, and nobody can ignore them. Oft-repeated phrases flow from their lips in an unending stream…Chhutta nahin hai, pudhe chala, peechhe khali bus aa raha hai – we’ve all heard these dialogues on our regular bus commutes in Mumbai. After a careful study of these colourful characters – the BEST conductors – I have arrived at 10 categories of conductors that we’ve all met and don’t wish to meet again.

#10) The rude conductor.

He abuses everything and everyone in sight. I doubt if this kind of conductor has ever smiled and said a kind word to anyone, even his own mother. It usually starts with “Chhutta nahin hai, chhutta do!”, builds slowly with, “Bola na chhutta nahin hai, dimaag ka dahi mat karo!” and reaches a crescendo with “Yeh rickshawwala kaisa c#$% hai dekh!” He’s the kind of guy your mother told you to stay away from.

The rude conductor

 

 

 

 

 

 

 

#9) The overly polite conductor.

This one is also to be stayed away from, although for different reasons. He has ‘Atithi devo bhava’ tattooed on his right arm (and possibly his forehead). He is so polite, he makes you sick. And he’s so soft-spoken, he is almost unfit for the job. His most annoying habit is that he apologises even when it’s not his fault.

The overly polite conductor

 

 

 

 

 

 

 

#8) The absent-minded conductor.

This guy takes a Rs 100 note from you and conveniently forgets to return your change –detrimental if you’re a writer, since you’re about to lose half your salary. He reacts with a start when you remind him about your change, but he will always first say, “Diya toh tha tumhara paisa…”

The ignoring conductor

 

 

 

 

 

 

 

#7) The ignoring conductor.

He’s always too busy to answer your questions, too busy to notice that he hasn’t returned your change, too busy to tell you your stop has arrived, but never too busy to talk to the driver. He reminds you of your always-too-busy-for-you ex-girlfriend, in not-so-pleasant ways.

The ignoring conductor

 

 

 

 

 

 

 

#6) The lying conductor.

This one will raise your hopes in an extremely cruel fashion, mostly by telling you that an empty bus is just around the corner and you would do well to wait a few moments more for it. You believe him and wait, but the promised bus never appears. When it does, it is bursting with passengers, and if you’re having a really bad day, you will encounter another lying conductor in this bus as well.

The lying conductor

 

 

 

 

 

 

 

#5) The depressed conductor.

This man has had a very hard life. He has never heard a kind word about himself. His wife has made it a habit to run away with other men. He has never been promoted. The words ‘I want to kill myself’ are etched in every line of his face. He reminds you of your bleakest days. Without saying a word, he can convey how much he hates his job and how much he would rather be a mechanic, but that he became a conductor because “papa chahte the ki main bada hokar conductor banoon…”

The depressed conductor

 

 

 

 

 

 

 

#4) The over-friendly conductor.

One innocent question from you: “Saki Naka tak kitna?” will make this conductor your friend for life. He will talk to you non-stop. He will ask about your age, your marital status, your family, your pets, their marital status, and so on. His behaviour is extremely annoying to everyone, except for engineers, who of course, are glad that anybody’s speaking to them at all.

The overly friendly conductor

 

 

 

 

 

 

 

#3) The touchy-feely conductor.

Ladies, you know this type of conductor well. Where just a smile would suffice, he pats you on the back. Where he could just squeeze past you, he will squeeze some part of you. He reminds you of your molester uncle. If you look closely, it might just be your uncle in disguise.

The touchy feely conductor

 

 

 

 

 

 

 

#2) The hero conductor.

He thinks he is the hero and the baap of the bus. He will seat himself near the entrance of the bus, adjust his hair, see if his shoes (matching his shirt) are still clean, pat his face dry with a special handkerchief, hum constantly, and even use a clever line or two while handing you your ticket. If he wasn’t a BEST conductor, he could be Vivek Oberoi’s understudy. Or Vivek Oberoi himself.

The hero conductor

 

 

 

 

 

 

 

#1) The chindhi chor conductor.

This one takes your money and makes off with the change. Or, he is too lazy to rummage around for coins, so he simply writes the balance amount on the back of your ticket and tells you to collect it from Wadala. When you ask for your money, he gives you a dirty look, as if you asked for his first-born son, or as if he lives in South Mumbai and you’ve just announced that you live in Mira Road. Though he will shake your confidence, be firm and ask for your Rs 2 back.

The chindhi chor conductor

 

 

 

 

 

 

 

Disclaimer – I love BEST conductors, actually. I was told to write this propagandist, #paidmedia article by the auto union.

Andy Reghu claims to be a writer, a standup comic, a professor and a nuclear biologist. 

(Featured image courtesy jammag.com)

Categories
Watch

Screening: French film ‘La Fille du 14 Juillet’

The French film will compete for ‘My French Film Festival’, the world’s first online film fest that is currently underway.
by Medha Kulkarni

Today, January 20, 2014, the Institut Français will present the film La Fille du 14 Juillet as part of the ‘My French Film Festival’.

My French Film Festival is the first online French film fest in the world, and is currently underway, having started on January 17, 2014. It will conclude on February 17, 2014. During this month, cinema lovers from the world over will be able to access online 10 feature films and 10 short films in 13 languages. On this occasion, Alliance Française de Bombay will present a film in competition.

La Fille du 14 Juillet is a 1988 film by Antonin Peretjatko. The films tells the story of Hector who encounters Truquette at the Louvre on July 14, he’s had only one thing in mind: to seduce this girl whom he’s mad about. The best way to do so is to take her to the seaside. His pal Pator agrees wholeheartedly, particularly if she comes along with her friend Charlotte…

The film is lighthearted and playful. The cinematography is beautiful, filled as it is with stunning vistas of France.

The film is subtitled in English and entry is free although seating is limited. Head to Alliance Française Auditorium, New Marine Lines today at 6.30 pm.

(Picture courtesy www.20minutes.fr)

Categories
Kharcha paani

Rs 3,00,000 for acid attack victims

State Government okays a ‘Victim Compensation Scheme’ for those affected by grievous attacks or accidents. Acid attack victims are included.
by The Editors | editor@themetrognome.in

The recent case of a college student, Monica More, falling in the gap between a local train and the train tracks and losing both her arms in the process, is drawing much criticism on the Central Railway and the Government. CR, especially, was quick to react after the incident by probing the accident spot.

Meanwhile, the State Government is looking at compensating victims of crimes. Today, in a cabinet meeting at the Mantralaya, Mumbai, the Government approved a ‘Victim Compensation Scheme’ for those affected by crime in the city and the State. As per the scheme, anybody fatally hurt or rendered immobile as the result of a crime will be compensated by the Government. Interestingly, victims of acid attacks are also included in the Scheme.

As per the Scheme, which will be monitored and operationalised by the State Home Department, families of victims that die in a crime will receive Rs 2 lakh as compensation. Similarly, those who suffer permanent disability will receive Rs 50,000. Victims of acid attacks will receive Rs 3,00,000 as compensation.

The State will also offer emergency hospitalisation compensation up to Rs 15,000 and pay Rs 2,000 towards funerals.

What do you think of this scheme? Tell us in the comments section below.

(Picture courtesy www.theguardian.com)

Categories
Event

Two-day theatre conference starts in Mumbai today

Look forward to book releases, postcards, performances, panels and much more at this two-day do from January 10 to 11.
by Sophia Institute of Social Communications Media, Mumbai

Jhelum Paranjape met a pickpocket in jail and tried to explain Animal Farm to her. Dolly Thakore’s son Quasar Padamsee’s baby sitters included Shabana Azmi and Javed Siddiqui. PG Wodehouse helped Shanta Gokhale fight cancer. Nadira Babbar swore that she would never get into theatre.

At the inauguration of a two-day conference on theatre in Mumbai titled ‘Many Cities, Many Masks’ at 9 am on Friday, January 10, the first book of a proposed series, Lives Of The Women edited by the award winning author Jerry Pinto will be released. Titled On Stage/ Off Stagethis book features four in-depth essays on the professional lives of  eminent women from Mumbai’s stage such as Shanta Gokhale, Dolly Thakore, Nadira Babbar and Jhelum Paranjape.  The post-graduate students of SCMSophia have researched and written this book.

The conference being organised collaboratively by the Sophia College for Women and SCMSophia (Sophia Institute of Social Communications Media) on Friday and Saturday, January 10 and 11, 2014. This forms part of a series of Mumbai seminars organised at Sophia College for the last five years. The conference will feature academic papers and presentations by practitioners and panel discussions.

Vandana GupteAdditionally, a commemorative postcard set ‘Green Room: Mumbai’s Theatre Makers‘ featuring photos  taken by SCMSophia students of  personalities from English, Hindi, Marathi, and Gujarati  theatre in Mumbai including Anahita Uberoi, Shernaz Patel, Rita Rose, Annapurna Shukla, Aditi Desai, Vandana Gupte (in pic on left) , Kavita Lad Medhekar, Rasika Dugal, Shanta Gokhale, Nadira Babbar and Dolly Thakore will be released.

The postcards also feature insights in the form of quotes from all these personalities. “After the third bell the cast waits in the wings.  At this time, you realise more than ever how crucial you are to each other.   In the silence you acknowledge each others talent, strengths and weaknesses and together step into the collective performance zone… to create the collective illusion that we call theatre,” says Anahita Uberoi.” The theatre is a space where I submit to the will of my audience,to the vision of the director and to my own vanity,” admits Rasika Dugal candidly.

This conference will also see the release of Mumbai—Socio-Cultural Perspectives: The Contribution of Ethnic Groups and Communities, a collection of papers presented at a previous conference at Sophia College. Students of SCMSophia and Sophia College will also be presenting short performances during the breaks adding to the festive atmosphere.  These include a street play on Freud, bhavai (on Marx), lavni (on Galileo) and qawwali (on Darwin) during the breaks.

Categories
Event

Kerala’s historic art form comes to Mumbai

Chavittu Naatakam, India’s most ancient coastal art form from Kerala, forms the theme of the annual Keli Festival starting today.
by The Editors | editor@themetrognome.in

Human life is incomplete without cultural identity. When people migrate to distant shores, they take with them aspects of their culture, which then mix with the local cultures to create unique cultural expressions. Chavittu Natakam, India’s most ancient maritime theatre tradition is one such cultural expression that came out of such a mixing of cultures – drawing from the European operatic tradition carried by the Portuguese Christian missionaries who came to Kerala’s shores post the 15th century, and merging with the local Kerala martial arts and dramatic traditions.

ramachandran kStarting today, the Keli Festival, a three-day festival to be held at the YB Chavan Auditorium, Nariman Point and Prithvi Theatre, celebrates Chavittu Natakam. Performances over the three days will retell the history of Emperor Charlemagne’s capture of Turkey, and the events that unfolded thereafter. The Metrognome spoke to Keli Festival director Ramachandran K (in pic on left) about the festival; he has been the Festival’s Director since its inception in 1992.

Why did Keli think of bringing Chavittu Naatakam to Mumbai?

I was the special curator for the cultural programmes of India’s premier biennale that happened in Cochi last year. During my work I came across this art form and associated with it. I realised that the historic relevance of this art form in the art history of the world is not yet unveiled. It was not much presented outside Kerala, except for one performance that happened in the 60s in Delhi. It was in these circumstances that our organisation KELI decided to do this year’s annual festival with Chavittu Naatakam as the main theme and to propagate the strength of this art form to the maximum possible extent.

What is the response you anticipate to the Keli Festival this year?

Fairly good. We have had lots of enquiries already.

Can you elaborate a bit on Chavittu Naatakam’s importance in present-day life?

It is the only existing, most ancient maritime theatre tradition in India. It is quite remarkable that it passed the test of time for over five centuries.

Chavittu Naatakam has a significant place in the art history of the world. [It is] A pattern of culture that migrated from across the sea; a theatre form that was nurtured and Anjelikka അഞ്ചേലിക്കdeveloped by the coastal people, a tradition of drama written, directed and enacted by the same coastal people, and a theatre movement with performance spaces, created at the coastal villages out of meagre donations from villagers. It is an artistic emanation which draws its audiences from the same coastal people – Chavittu Natakam is truly the most authentic ancient maritime theatre tradition in every sense of the term.

Unfortunately, no serious research or academic studies have been done on this fascinating art form so far, nor have academies and state patrons extended significant attention towards preserving and propagating this tradition. The form lives on due to enthusiastic artists, passionate audience, and the support and dedication of a very few art lovers.

What has been the most satisfying part of being associated with an initiative of this sort?

Bringing the Indigenous artistic strength of India’s rural locales to the metros, with their purity of tradition.

Why do you think that Mumbai needs to be exposed to Chavittu Naatakam?

Mumbai should acknowledge the proud legacy of the only maritime theatre tradition in India. I also feel that artistic traditions should be explored more and should be presented without being compromised on quality.

Programme schedule:

Day 1

Venue: YB Chavan Centre, opposite Mantralaya, Nariman Point.

Date: Thursday, January 9, 2014 | Time: 6.45 pm

Inaugural Programme: Story: Karalman Charitham (Charelsmagne) Part 1

Written by : Chinnathambi Annavi

Presented by: Yuvajana Chavittunataka Kalasamithi Gothuruth

Directed by: Thampi Payyappilly

Day 2

Venue: Y.B. Chavan auditorium,Opp. Mantralaya

Date: Friday, January 10, 2014 | Time : 7.30 pm

Story: Karalman Charitham (Charelsmagne) Part 2

Day 3

Venue: Prithvi Theatre, Juhu, Vile Parle.

Date: January 11, 2014 | Time: 7 pm and 9 pm

Story: Karalman Charitham (Charelsmagne) Part 3 ( Subtext)

Name of Subtext: Story of Anjelikka

Written by : Raphel Acharuparambil

Presented by: St. Rocky’s  Nrutha Kalabhavan, Pallippuram

Directed by: Alex Thalooppaadath, disciple of late Guru Antony Charamkulam

Collect free entry passes from YB Chavan Centre, Rhythm House, Prithvi Theatre, Maharashtra Watch Company, Dadar and Giri stores Matunga.

Categories
Big story

‘Blood on call’ to be operational from tomorrow

In case of an emergency, you can call a helpline and get blood delivered to your doorstep within the hour.
by The Editors | editor@themetrognome.in

It is a novel attempt, and the country’s first, to have a ‘blood delivery’ service operational. Maharashtra will formally roll out its ambitious ‘Blood On Call’ or the ‘Jeevan Amrut Seva’ emergency blood supply service all over the State from tomorrow, January 7, 2014.

The Government has been testing the service for a year now – the pilot project was launched in Satara and later Sindhudurg, last year. Tomorrow, the State’s Health Department and Maharashtra Chief Minister Prithviraj Chavan will inaugurate the service for all of Maharashtra at the State-run JJ Hospital, Byculla. The inauguration will take place at 4 pm.

What’s the service about?

“Too often, people requiring blood of a certain group have to run from pillar to post to get it. If it’s an emergency, every minute counts. With the ‘Blood On Call’ service, people can simply dial the toll-free number, give the details of the blood group and the reason for requiring it, and the blood will be delivered within one hour,” explained State Health Minister Suresh Shetty. The blood will be priced “at pre-decided Government rates” and will be of “good quality”, the Minister assured. Users will need to dial 104 and the required numbers of packets will be delivered in sealed containers in an hour. The call centre for the service is currently based in Pune. However, coordinating centres in 10 major cities in the State will be fully operational in the next four months, Shetty said. For now, existing blood banks in the State are part of the network for this service.

When the coordinating agency sends its representative to the patient, a quick cross-match of blood type is done via a blood test. Once the blood type and specific requirement (for plasma, RBC, platelet or whole blood) is ascertained, the packets will be sold to the patient at a rate of Rs 450 per bag. Transport costs will also have to borne by the patient – Rs 50 for a distance of up to 10 km, and Rs 100 for up to 40 km.

The service will be operational in Mumbai and rest of Maharashtra from January 7, 2014.

(Picture courtesy zetco.pk)

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