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RK Laxman: An uncommon cartoonist

Presenting tributes in words, pictures and cartoons for the country’s most inspired and inspiring cartoonist, RK Laxman (1921 – 2015).
by The Editors | editor@themetrognome.in

Though he wasn’t drawing his famous series of pocket cartoons in the daily The Times of India lately, cartoonist RK Laxman’s presence was indelibly linked to the publication. The famous cartoonist passed away at age 94 in Pune yesterday; on a day when the country celebrated its 65th Republic Day, Laxman took the nation’s leave after severe illness – but not before making millions of us chortle for decades.

There is hardly anything to be said about a personality as great as his, and on his passing, all one can do is reminisce about how his work touched one’s life, directly or indirectly. Here’s presenting five tributes in word and caricature to India’s greatest cartoonist.

The Times of India, a collection of RK Laxman’s best works

The Indian Express, cartoonist Unny’s pictorial tribute

Scroll.in, Rajdeep Sardesai fondly remembers the uncommon man

The Hindustan Times, a tribute 

Mid Day, a recent RK Laxman exhibition 

(Featured image courtesy www.thehindu.com)

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Hum log

Mr Grover’s going places

He gave up a corporate career for the unpredictable, exciting, big, bad world of Bollywood. And Varun Grover struck gold.
by Mamta D | @silverlightgal on Twitter

Varun Grover. If you are on social media or browse through YouTube India channels regularly, you would know who this is. And of course, if you are a fan of offbeat cinema, and have watched Gangs of Wasseypur and Ankhon Dekhi, you would have seen his name in the credits.

For those who are still in the dark, let’s throw some light on the subject.

Varun Grover Varun Grover wrote the lyrics for Gangs of Wasseypur, Ankhon Dekhi, and the critically acclaimed documentary KatiyaBaaz. Varun Grover is also a standup comic, a key part of JayHindTV, and has performed many live shows both in the country and abroad. He has written for several TV shows including Ranvir Vinay aur Kaun, Aisi ki Taisi, Oye It’s Friday. Varun Grover is also one of the few whose script was selected for the NDFC Screenwriter’s Lab held at Toronto in 2013. And these are just some of his accomplishments.

Varun was born in 1980 in Himachal Pradesh and grew up in a typical middle-class family environment. At a young age, he moved to Dehradun with his family. He studied in the IMA – Kendriya Vidyalaya and as a child, he wanted to be in the military. In 1991, the family moved to Lucknow, where he would spend the next few years until his college. After completing B. Tech. from IIT-Varanasi in 2003, he tried his hand at a software job in Pune. However, coming from a family of writers, it was creative writing that was predominant in his genes and not software development. Before long (less than a year, in fact), he moved out to Mumbai to try his luck in the film industry as a writer. And, he has never looked back since.

In a chat with The Metrognome, Varun opens up about his creative journey, how he juggles many interests on a daily basis, and what it has been like to work with some majorly creative people in the film industry. Excerpts from the interview:

You began your first job in the corporate world but soon realised your true calling was elsewhere, in the creative arts. It’s now been 10 years since you left the corporate world for good. How do you feel about that and how has your journey in these 10 years beenr?

[The] Journey has been great. What I didn’t want to end up in was a routine life full of predictability. In corporate life, you can very easily see where you’ll be in five to 10 years. You just have to look at the person who joined five to 10 years before you. You’ll most probably have the same car, similar house, same number of kids, wear similar kind of clothes, and you’ll be regularly bumping into the same guys at the same kind of restaurants. While in the film industry, you can be anything in the next five or 10 years, including being dead, due to too much success or too much failure. That thrill is what keeps me going. And of course, the fun of creating new stuff which will be around even after I am gone.

Performing stand up comedy, writing film scripts, directing films, co-writing graphic novels, and composing lyrics…how do you strike a balance between it all? What do you enjoy the most?

I wish I could strike a balance. I wish there was a clear definition and a machine to measure balance. I just do whatever catches my fancy at that time of the day. Of course, some things are driven by Gangs of Wasseypurdeadlines and they balance themselves. I think I enjoy all of them equally and that’s why I do them. Stand up comedy is thrilling because of the instant feedback, lyrics writing is thrilling because I love the music-making process, and film scripts are thrilling because they involve sitting for long hours in front of my laptop browsing all the Internet and pretending to research for your script. Sabka apna apna alag rass hai and I am a bit of an experience-junkie.

A few in Bollywood started out with being behind the camera, but eventually made it in front of the camera. Farhan Akhtar, for one, comes to mind. Have you ever considered stepping in front of the camera instead of being behind it?

I don’t mind acting, but putting on make-up is one of the most excruciating exercises of human existence. I have done a small role in a film that should be out this year and have faced the camera for the online show Jay Hind. But no, I don’t have that ambition to be an actor. If I do act, it’ll only be for fun or if the role is something really crazy. It would never be for money.

Ankhon dekhiFrom Anurag Kashyap (Gangs of Wasseypur) to Rajat Kapoor (Ankhon Dekhi) to newer names like Ashish R Shukla (Prague) and Deepti Kakkar, Fahad Mustafa (KatiyaBaaz), how has it been working with these people?

Everybody comes with their own world view and all these films have a take on our times in their own way, so it was a great experience every time. Anurag Kashyap gives a lot of creative freedom and that translated into one of my (and Sneha K’s) best output yet. Rajat Kapoor is very precise with what he wants and that resulted in a very disciplined, old-school writing for Ankhon Dekhi. Ashish Shukla, again, had an aural space in mind and that helped me do something I never thought I was capable of (writing for rock music), and Fahad and Deepti had such a rooted film that it inspired me to go back to my Lucknow days and find the local idiom.

Your first full-fledged script Maa Bhagwatiya IIT Coaching was selected for the prestigious NFDC Screenwriters’ Lab in 2013 and you flew to Toronto for the lab sessions. What was your experience at the Screenwriters’ Lab?

The lab was a wonderful experience, not just for the experienced mentors but also for the opportunity to discuss and work out on your script uninterrupted in an environment facilitated fully to help you.

Nikhil Mahajan, of Pune 52 fame, has come on board as producer for Maa Bhagwatiya IIT Coaching. What’s next for this film?

The film will begin shooting late this year, not before October. I am busy with other projects right now, so I haven’t even started planning.

You can follow Varun on his Twitter account, @varungrover and on FB at https://www.facebook.com/vidushak.

(Varun Grover pictures courtesy Raj Kumari. Other images courtesy aspoonfullofworld.blogspot.com, bdnews24.com)

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Watch

Mumbai artist’s interpretation of ‘waiting’

Mamta Chitnis Sen’s works address the theme of women left behind to look after family lands in Sawantwadi’s farming regions.
by The Editors | editor@themetrognome.in

This is one exhibition you simply must attend – it comprises some lovely paintings, with a very sensitive theme titled ‘The Wait’.

Mumbai-based journalist, writer and artist Mamta Chitnis Sen has put together ‘The Wait’, a collection of her original paintings rooted in Sawantwadi, a former princely state and part of the Konkan belt of western coast of Maharashtra. Sawantwadi has the highest numbers of farmers who have abandoned their lands and are working as migrants in neighbouring cities. The women and children left behind by their husbands end up as mere ‘protectors’ of the lands they once toiled in. The lands often are sold off or abandoned, empty and deserted.

Fisherwoman and daughter_Acrylic on Canvas_24 in x 24 inThe works, acrylics of canvas, highlight the plight of these women and their circumstances.

Born and brought up in Mumbai, the subjects of Mamta Chitnis Sen’s works are concentrated on rural Maharashtra. A journalist and an extensive traveller, Mamta, an alumni of Sir JJ School of Art has been instrumental in creating paintings in oils and acrylics documenting the slow yet disappearing lives and identity of people, especially women living in rural India.

A palette knife artist, Mamta aims to showcase the rustic rural landscape of interior India, specially Maharashtra and Bengal through her works, which is losing itself to the ills of urbanisation.

Speaking to The Metrognome, Mamta says, “It took be nearly three years to research this subject and I actually began painting work related to it in 2013. This is the first of my Sawantwadi series.

I first noticed the subject of women merely ending up as caretakers of their own lands during my travels to interiors of Maharashtra (while reporting for my newspaper), specially the Konkan belt. I saw that in key areas of Konkan beyond Ratnagiri and Sawantwadi (which is my native place) the second generation of farmers are opting out of farming. In Sawantwadi, a large numbers of horticulture farmers preferred desk jobs in ‘large companies’ than compared to taking up farming which they believed was a tedious affair.”

She adds that unseasonal rains, too, was another reason for their growing disinterest. “Most traditional farming families including newly-married young sons in their late 20s, who were hence The Wait2_18in x 18in_acrylic on canvaslooking for alternate revenues of income. The escalating price of lands in the region was yet another reason for this switch. Many second generation families in hope of easy money were either selling off their ancestral property or keeping them on hold hoping to get more money for it.”

Hence while the men travel to cities, the women who are left behind with their kids to either toil on some part of the land to avail of Government benefits or merely as caretakers.

Most women in rural areas, despite being educated up to primary level, are devoid of any other skills or education on how to convert use the empty land to their benefit. “Further, many local builders often swindle them of their share while the men are away,” she says.

The exhibition is on at Mumbai Art By Artists, Prince of Wales Museum, Coomarswamy Hall, Colaba, from January 23 to 25, 2015 between 11 am and 6 pm. Entry is free.

(Pictures courtesy Mamta Chitnis Sen)

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Event

Love fashion? This forum is for you

The Whistling Woods Neeta Lulla School of Fashion will host its 2nd ‘The Future of Fashion’ forum tomorrow in Mumbai.
by The Editors | editor@themetrognome.in

For those seriously interested in fashion and wanting to make a career in the field, comes this wonderful opportunity to interact with and hear from industry stalwarts in Mumbai.

WWNL 1.22The Whistling Woods Neeta Lulla School of Fashion will present ‘The Future of Fashion Forum’ tomorrow, January 24, 2015, an event for all those aspiring to make a mark in the ever-evolving fashion industry. This school of fashion located at Film City, Goregaon, claims to be the first to conduct this kind of an event. Neeta Lulla, Subhash Ghai, and Meghna Ghai Puri will inaugurate the event along with fashion veteran Hemant Trivedi.

The forum is aimed at offering an in-depth perspective to fashion aspirants on how to launch a career in fashion across vocations like fashion designing, styling and trend spotting. The panel will include some of the renowned names from the world of fashion like Sonaakshi Raaj and Falguni & Shane – top designers of the India fashion industry. The event will also feature personalities like Vinay Nadkarni, Anjana Sharma, Payal Singhal, Gaviin Miguel, Mohini Boparai, Nisha Jhangiani, Ken Fernandez, Shubhika Davda, Arden Dsouza, Anna Romanczuk, Darshini Lal, Gaurang Shah, and Bhamini Subrhamanium as guest speakers, amongst others. The forum will comprise of various panel discussions where the distinguished names from the industry will share their insights on the rapidly evolving fashion and retail industry. The topics for panel discussion include ‘Developing the Fashion Eco System’, ‘Changing Face of Fashion’, ‘Insight by New Age Designers’, ‘Visual Merchandising’, ‘Masterclass – Indian Textiles Blend with Contemporary Fashion’ and ‘Master Haute Couture’.

neeta lullaNeeta Lulla (in pic on left) says, “This is the second year of the Future of Fashion Forum and building on the grand success of last year, the forum this year is going to be grander with stalwarts from the industry gracing us with their presence and interacting with aspirants wanting to create a niche in the ever-evolving fashion industry.”

Entry to the event is free and open to all. The event will take place on Saturday, January 24, between 10 am to 6 pm. The fashion school is located at Whistling Woods International, Filmcity Complex, Goregaon (E), Mumbai – 400065.

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Listen

Attend: Lecture by Prof Alexander von Plato

The German philosopher, historian will give a lecture on the political changes in Europe after the World Wars, among others.
by The Editors | editor@themetrognome.in

The face of Europe was changed irrevocably after the two World Wars in the last century. Then, Germany underwent a radical change after the Berlin Wall was broken down forever in 1990. These major world events make for fascinating study and help us to appreciate better the current state of Germany and Europe.

To further aid understanding on this subject, renowned German philosopher and historian Prof Alexander von Plato will give a lecture on ‘Political changes and personal orientations: Remembrance cultures in Germany and Europe after World War II and the Big Changes in 1989/90’. The lecture is scheduled to be held at the Max Mueller Bhavan, Kala Ghoda, this evening.

Prof Plato belonged to the top echelons of the organisation structure of the Communist Party. From 1996-2000, he was secretary of the International Oral History Association, and from 2006-2008, its Vice President. He is co-editor and editor of BIOS – Journal of biographical research, oral history and life history analysis.

In 2012 he was awarded the John G. Diefenbaker Award which enables collaboration with a Canadian university.

(Picture courtesy www.zwangsarbeit-archiv.de)

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Event

Ustad Zakir Hussain, Pt Shivkumar Sharma enthrall at concert

The two legendary Hindustani classical musicians came together to raise funds for a river-side girls’ school and a divinity centre.
by The Editors | editor@themetrognome.in

Two leading lights of the Hindustani classical music scene came together in Mumbai recently.

Anand Trust, a charitable organisation, brought together the legendary maestros of Santoor and Tabla – Pandit Shivkumar Sharma accompanied by Ustad Zakir Hussain, for a concert at Nehru Centre, Worli.

Pandit Shivkumar Sharma and Ustad Zakir Hussain, the world’s greatest performers on Santoor and Tabla respectively, are two legends of Indian music who have collaborated together since the early 1970s. Panditji has been the pioneer of the Santoor and is credited to introduce the instrument to the Indian Classical repertoire. Tabla genius Ustad Zakir Hussain is one of the most famous and recognisable names in the Indian classical and world music movement. Winners of innumerable amounts of accolades, both musicians have mesmerised and touched millions of hearts the world over, with the finest music they have produced together and individually.

The peerless, mystical and compelling musical duo created a musical symphony by performing together at Nehru Centre Auditorium. Proceeds from the concert will be used to aid and support Shree MA Anandamayee Kanyapeeth Girls School situated on the banks of the river Ganga at Varanasi, and the Anandamayee Divinity Center being built on the banks of river Narmada at Bhimpura. The boarding school for girls is run on the ancient Gurukul system and runs only on donations as education, boarding lodging, etc is gratis. The Anandamayee Divinity Center will have a meditation hall and rooms for ascetics and senior citizens who wish to come here for spiritual retreats.

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