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Tech

HTC’s One Max comes to India

HTC’s newest phone is priced at Rs 56,490; the phone’s high price could be accounted for by fluctuating rupee-dollar rates.
by Manik Kakra

HTC has just officially launched its One Max in India. This phone boasts a 5.9-inch 1080p LCD 3 touchscreen, and is touted as the One’s big brother. Under the hood, there is Snapragon 600 (.17 GHz quad-core Krait 300) SoC, along with 2 GB of RAM. On the back, there is a 4 MP ‘Ultrapixel’ camera as well as a fingerprint scanner mainly for unlocking the screen and launching three apps with a finger swipe (three fingers pre-assigned by the user). The front side sports a 2.1 MP wide-angle camera and dual speakers. It runs on Android 4.3 Jelly Bean with HTC’s Sense 5.5 UI on top.

Weighing 217g, the One Max features Bluetooth 4.0, WiFi a/b/g/n/ac, NFC, a microUSB 2.0 port and 3.5 mm headset jack. The phone is powered by 3,300 mAh battery, and is available in 16 GB and 32 GB storage options, expandable up to 64 GB via microSD card.

First showcased back in October, HTC has priced the phone at a whopping (MRP) Rs. 61,490, and it’s now available in the market for Rs. 56,490. Users also get 50 GB of free Google Drive storage space for two years. The company also unveiled the official Power Flip Case accessory for the One Max, which aims to provide 1,200 mAh of juice while providing for protection to the device as a shell.

It is evident that the rupee-dollar exchange rate has really made phones prices rocket in the last couple of months or so, and it’s hurting. It’s hard to imagine people going for this phone for over Rs. 55K, maybe once the price goes under the 50k mark, it may well attract a lot of user looking for a large-screen phone.

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Event

‘Our reality is shaped by the medium we use’

A panel of media experts and photographers weighed in on the purportedly ‘dying’ art of photojournalism, at Max Mueller Bhavan.
by The Editors | editor@themetrognome.in

Who says photojournalism is dying? Or to put it another way, who says photojournalism is still alive?

A talk at Max Mueller Bhavan, Mumbai, titled ‘Wanted: Dialog on Photojournalism’ saw noted news photographer Sudharak Olwe, journalist and teacher Sanjay Ranade and Mid Day Executive Editor Sachin Kalbag give their views on the relevance of photojournalism in today’s times, and whether there was ever a chance of the art dying out completely in an era of smart gizmos.

Sanjay RanadeExpectedly, each of the speakers debunked the notion that photojournalism was dying out, though they did concede that the “message was certainly diluted” in certain cases. Said Ranade (in pic on left) , “Our reality is changed by the medium we use. Contemporary users are ‘pickled’ in user-generated content – they are negotiating their realities with the devices they own. Users are filtering the news they want, they are free to click a picture and instantly put it out there for everyone else to see, so why should they read newspapers?

“The statement being made often is that with everybody owning a smartphone, what is the need for photographers? But the difference is, these users are not professionals, so they cannot ‘design’ a picture, a moment, the way a professional can. A photojournalist performs an important function – he gives ‘context’ to a picture.”

Kalbag said, “We (the Mid Day newspaper) are a third or fourth choice newspaper in Mumbai. What do we do to get picked up, to get Sachin Kalbagnoticed? In Mumbai, and for a paper that caters exclusively to the city, we cannot not have a strong visual connect with our readers. There is no greater way than photojournalism to chronicle a great city.”

Olwe continued this train of thought thus: “In my work, I have seen that a bigger impact [is created] through a series of photographs on one subject, instead of just one picture. But this is not always true as well; it depends on the picture.” He went on to explain why he felt photojournalism could never die. “How can anyone say that photojournalism is dying? We have to create newer spaces [for more media]. Even with digital cameras, with the most advanced equipment, the photographer still has to follow the due ‘process’ of taking the right picture. You cannot have this process with an iPhone or a smartphone.”

Kalbag ended his talk by saying, “I honestly feel that reports of photojournalism dying or having died already are vastly exaggerated.”

(Featured image courtesy www.mid-day.com)

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Tech

Review: Sony Xperia Z1

What does the Xperia Z1 have that the earlier Xperia Z doesn’t? We do some checking and look for answers.
by Manik Kakra

Sony has been trying to get its phone division better converged with its music and camera divisions in order to get ahead in the smartphone battle. Its Xperia Z left a bitter taste in some people’s mouths, and the company aims to find its mojo back with the Xperia Z1. So, let’s check out this new Android smartphone from Sony.

Hardware and design

Sony Xperia Z1Sony’s Xperia Z1 (C6902) follows the same rectangular slap design that we have seen with the Xperia Z, and ZR. Handling one for the first time, you may realise that it’s a bit bigger than the Z, but isn’t different from it when it comes to looks.

The phone sports a 5-inch full HD screen, which also carries the three onscreen keys. On top are placed the usual speakers with LED fitted underneath the grills inside. Just below the screen, even though there is nothing placed, the bezel space is noticeable and pretty big for a space having no real estate.

On the left sidepanel, you have the microUSB port, memory card slot and two-pin charging points for charging using a dock. On the right side, there’s the SIM slot and the familiar circular metallic Power button – looks nice to me – and plastic volume rockers. All these slots are flapped and, though the Z1 is water-proof, these flaps, which seem quite fragile, have to be put on Sony Xperia Z1when you are trying some water adventures while carrying the device. On the back sits the 20.7 MP camera with an LED flash. The back is made up of thick plastic material with coating, which fits quite well in the hand, but both front and back are dust and fingerprint magnets. It becomes a bit frustrating seeing dust all over the screen after pulling the phone out from your pocket.

The top gets the 3.5mm headset jack. The loudspeakers, like the iPhone 5’s, are at the bottom. Round edges, aluminium-mixed front.

Screen

Talking about the phone’s 5-inch 1080p screen, Sony’s Z was mainly looked down for its ordinary screen quality, but did the Z1 come out winning? The Z1’s seemed much better to me than the Z. Colours look nowhere as washed out as on the Z, and it is crisp. But when you use it after seeing the LG G2 or even the HTC One, it does rank below those two. Sony mentions the use of BRAVIS Engine for the display, but while there is certainly a lot of improvement from what it was like on the Z, there is still some work needed when it comes to viewing angles and contrast.

Sony Xperia Z1Camera

The Xperia Z1 boasts a 20.7 MP f/2.0 (mainly 20) MP camera with BIONZ image processor. The trick here is that the camera does oversampling, giving out 8 MP images. I tried the camera a bit, and was pretty satisfied with it. Sony’s camera UI is neat, straightforward and doesn’t require too many adjustments for every shot. On the down side, I did notice some over-processing from the software. You take a shot expecting something, but the result you view later seems a bit different, usually sharper than how it should have been. The camera performed well in decent conditions, but there’s definitely a lot of noise once you try it in a dark room or under such difficult conditions. See sample shots here.

Audio

Let’s now talk a bit about the audio quality. It’s Sony, so you expect a good audio experience, and that’s exactly the case here. In-ear sound is clear, quite loud and you shouldn’t be hesitating to use your favourite headphones with the phone. Loudspeakers are also loud and usually don’t distort when played on high volume. I was quite happy with their performance while gaming, barring muffling them with my hand while holding the phone when in landscape mode. Also, Sony’s music player is really nice. It has got some beautiful colours for backgrounds and works smoothly, too.

The call quality on the Xperia Z1 is top notch, and there’s no network reception issues any time during my usage.

Software and peformance

The Xperia runs on Android 4.2.2 with Sony’s UXT UI on top. Overall, there are hardly changes here from we have seen and used on the Xperia Z. Under the hood, there is a quad-core Sony Xperia Z12.2 GHz (Krait 400) Snapdragon 800 SoC, along with 2 GB of RAM. The whole look and feel is identical. The phone hardly ever lagged during my usage, and was mostly smooth, responsive and didn’t do any random reboots on its own. You can play full HD videos, go back and forth, and won’t notice any major performance issues. Having five home screens by default, four icons – Sony LIV, Mucis, Messaging and phone in dock, and below sit the on-screen buttons –Back, Home and Multi App View.

Thanks to the placement of on-screen buttons, you lose some screen estate to them in most of the apps you will use. The UXT UI gives you similar app launcher as other OEMs do. Here, you also get a different screen, when swiped from left, to uninstall apps, go to the Play Store, Sony’s app store, and arrange apps in various orders.

I usually got around 21 hours of battery life from, the phone’s 3,000 mAh battery, on a single charge – auto sync on, half an hour of gaming, some music and lots of Twitter and Web surfing.

Sony also provides users with music downloading and streaming service – SonyJive. You et free downloading and streaming for first six months. Don’t get excited. The app is very sluggish, full of bugs, the service has average collection and you get DRM protected content. Yup, it is really bad. I would rather have no such service than having one which may give such an awful experience – definitely the worst part of the whole device.  LIV is a service that allows you to stream content from various Sony channels, without any extra cost. There is also Big Flix app from which you can stream Bollywood movies – pretty decent collection this time. And you also get six movies free (can only be watched on the device itself) six movies from Priviledge, just wish they had given HD qulaity, too.

Summing up

The Xperia Z1 is definitely Sony’s best offering right now. Great performance, coupled with decent camera and looks, the phone does seem a good choice. There is no doubt Sony still needs some work on the display side, and maybe just put (or leave it out completely) a better music streaming service for Indian users. All in all, the phone shows that the company might well be on the right path.

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Tech

Just in: Nexus 5, Nexus 7 (2013) available on Indian Play Store

Our tech writer previews and reviews the specs on the new Nexus phones – the Nexus 5 and the Nexus 7.
by Manik Kakra

Here they are, folks. The Nexus 5 and Nexus 7 (2013) are now officially available in India.

Nexus 5Announced about three weeks back, the Nexus 5 (in pic on left) marks the launch of Android’s latest version – 4.4 (KitKat). The phone is powered by Qualcomm’s Snapdragon 800 chipset, along with 2 GB of RAM. On the back, it sports an 8 MP (AF) camera (plus LED flash) with optical image stabilisation feature; while the front has a 1.3 MP camera.

Boasting a 4.95-inch full HD screen, the Nexus 5 comes in black and white colour options – with 16 GB and 32 GB variant. Other features include Bluetooth 4.0, WiFi a/b/g/n/ac, microUSB (+ Slim port), and LTE (may not support Indian telecom bands). While the 16 GB variant is priced at Rs 28,999, the 32 GB is available for Rs 32,999. The Play Store also lists the official Nexus 5 bumper for Rs 2,999.

Coming to the Nexus 7 (2013, see main image above), the tablet features a 7-inch full HD screen, and comes in 16 GB and 32 GB storage variants. On the back, there is a 5 MP (AF) camera; and the front has a 1.2 MP camera. Under the hood, there is a Snapdragon S4 Pro SoC, along with 2 GB of RAM. This Android 4.3 (4.4 is out) features WiFi a/b/g/n, Bluetooth 4.0, NFC, LTE (depends on the model), and microUSB (+ Slim port). The Nexus 7 starts from Rs 20,999 for the 16 GB WiFi-only model, and goes up to Rs 27,999 for the 32 GB WiFi + Cellular (LTE) model.

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Event

Mumbai to go on a flamingo ‘fotothon’

This event will combine photography with a desire to conserve the coastal environment for the welfare and protection of flamingos.
by The Editors | editor@themetrognome.in

This month on, the coastline of Mumbai is going to play host to flamingos. The pink beauties visit the city just as the weather dips in the last months of the year. However, rising pollution in our seas and the fact that these beautiful birds are being increasingly poached each year, has lessened their numbers somewhat.

But shutterbugs in the city are going to do their bit to conserve the ecology for flamingos and have some photographic fun doing so – they are going to arm themselves with their cameras and head to Maharashtra Nature Park for a 24-hour live photo-marathon that will go a long way in helping to conserve flamingos and the ecology that sustains them. It’s simple: the photo-marathon is a 24-hour race that tests your photography skills and creativity, as also your passion for nature. Every participating photographer gets a span of 24 hours to ‘shoot and submit’ their work.

fotothonThe ‘Friends of Flamingos’ is a year-long initiative conceived by Fotothon, which is a unique 24-hour live photography challenge held annually in Mumbai and which is supported by the Maharashtra Pollution Control Board (MPCB). The two-day campaign will flag off on Saturday, November 16, 2013 at 10 am.

Paresh Pimpale, Director for Fotothon said, “Through Fotothon, we aim to encourage photographers to use their cameras for conservation. This year, we are using Fotothon to spread awareness about these beautiful birds that arrive in huge numbers in Mumbai but due to extensive pollution and also poaching, they have become vulnerable here.”

Pimpale added that through the campaign, FOF will have series of lectures, photowalks, and photo exhibition at several locations of Mumbai so that people understand how fortunate the city is to play host to flamingos every year. The campaign will start from tomorrow. Said Avinash Kubal, deputy director, MNP and Honorary Chief Patron for Fotothon, “Photographers love flamingos as they get beautiful images, and hence we want them to also stand for conserving these birds. We will have a signature petition of hundreds of photographers from Mumbai to save the mudflats from pollution and dumping.”Kubal added that the conservation of these pink beauties includes conserving their habitat, which is our coastal ecology. “Saving the sea coasts from pollution is therefore a prime need. Mumbaikars therefore need to monitor effluents so that they do not enter into our coastal waters. Also, we must see that we protect their habitat areas from encroachment and also from noise pollution, as these birds are extremely sensitive towards any man-made or man-induced noises”.

Fotothon is supported by Maharashtra Pollution Control Board, Maharashtra Nature Park Society, Royal Photographic Society (RPS) UK, and Photographic Society of India. For detailscall 9224765619/ 9967620103. 

(Pictures courtesy fotothonian.blogspot.com, www.fantom-xp.com) 

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Event

Arty Thursday: ‘Representations of Power’

SA artist Maximo Gonzales will discuss the ethos of his work and the values that shape it, at Fort today.

This one’s for art students and art lovers. Today, November 14, 2013, Jnanapravaha will play host to artist South American Maximo Gonzales (in picture above) as he talks about his work and his philosophies in a lecture titled ‘Representations of Power’.

representations of powerMaximo Gonzalez’s elaborate installations are rooted in craft; however the manifest issues pertain to political process, social values and economy. His projects address ‘material’ at a symbolic level, playing with the origin and the context where such materials are normally found, transforming them, often through poetic language games to slant their symbolic impact. Examples include tapestries made out of the discarded margins of Mexican pesos, massive archways made of inflatable globes, nets made from school-kids’ notebooks, and military costumes made of sequins and dried chillies. His broad oeuvre is always rooted in social concerns and ethical paradigms of the globalised world.

Born in Argentina and living in Mexico City for over a decade, Maximo Gonzales has exhibited around the world in a range institutions. His solo shows include ‘Magnificent Warning at the Rubin Centre’, ‘El Paso’ (Texas), Playful at CAFAM, Los Angeles and Walk among worlds at the Fowler Museum, UCLA and Casa America, Madrid.

Entry is free but seating is limited so make sure you reach early. Head to Jnanapravaha, Queen’s Mansion, 3rd floor, Ghanshyam Talwatkar Marg, beside Cathedral Middle School, Fort. Tea will be served at 6 pm and the lecture begins at 6.30 pm. Call 022 2207 2974/75 or look up www.jp-india.org for details.

(Compiled by Medha Kulkarni. Picture courtesy facebook.com/JnanapravahaAtMumbai and www.artbusiness.com)

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