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Event

Kerala’s historic art form comes to Mumbai

Chavittu Naatakam, India’s most ancient coastal art form from Kerala, forms the theme of the annual Keli Festival starting today.
by The Editors | editor@themetrognome.in

Human life is incomplete without cultural identity. When people migrate to distant shores, they take with them aspects of their culture, which then mix with the local cultures to create unique cultural expressions. Chavittu Natakam, India’s most ancient maritime theatre tradition is one such cultural expression that came out of such a mixing of cultures – drawing from the European operatic tradition carried by the Portuguese Christian missionaries who came to Kerala’s shores post the 15th century, and merging with the local Kerala martial arts and dramatic traditions.

ramachandran kStarting today, the Keli Festival, a three-day festival to be held at the YB Chavan Auditorium, Nariman Point and Prithvi Theatre, celebrates Chavittu Natakam. Performances over the three days will retell the history of Emperor Charlemagne’s capture of Turkey, and the events that unfolded thereafter. The Metrognome spoke to Keli Festival director Ramachandran K (in pic on left) about the festival; he has been the Festival’s Director since its inception in 1992.

Why did Keli think of bringing Chavittu Naatakam to Mumbai?

I was the special curator for the cultural programmes of India’s premier biennale that happened in Cochi last year. During my work I came across this art form and associated with it. I realised that the historic relevance of this art form in the art history of the world is not yet unveiled. It was not much presented outside Kerala, except for one performance that happened in the 60s in Delhi. It was in these circumstances that our organisation KELI decided to do this year’s annual festival with Chavittu Naatakam as the main theme and to propagate the strength of this art form to the maximum possible extent.

What is the response you anticipate to the Keli Festival this year?

Fairly good. We have had lots of enquiries already.

Can you elaborate a bit on Chavittu Naatakam’s importance in present-day life?

It is the only existing, most ancient maritime theatre tradition in India. It is quite remarkable that it passed the test of time for over five centuries.

Chavittu Naatakam has a significant place in the art history of the world. [It is] A pattern of culture that migrated from across the sea; a theatre form that was nurtured and Anjelikka അഞ്ചേലിക്കdeveloped by the coastal people, a tradition of drama written, directed and enacted by the same coastal people, and a theatre movement with performance spaces, created at the coastal villages out of meagre donations from villagers. It is an artistic emanation which draws its audiences from the same coastal people – Chavittu Natakam is truly the most authentic ancient maritime theatre tradition in every sense of the term.

Unfortunately, no serious research or academic studies have been done on this fascinating art form so far, nor have academies and state patrons extended significant attention towards preserving and propagating this tradition. The form lives on due to enthusiastic artists, passionate audience, and the support and dedication of a very few art lovers.

What has been the most satisfying part of being associated with an initiative of this sort?

Bringing the Indigenous artistic strength of India’s rural locales to the metros, with their purity of tradition.

Why do you think that Mumbai needs to be exposed to Chavittu Naatakam?

Mumbai should acknowledge the proud legacy of the only maritime theatre tradition in India. I also feel that artistic traditions should be explored more and should be presented without being compromised on quality.

Programme schedule:

Day 1

Venue: YB Chavan Centre, opposite Mantralaya, Nariman Point.

Date: Thursday, January 9, 2014 | Time: 6.45 pm

Inaugural Programme: Story: Karalman Charitham (Charelsmagne) Part 1

Written by : Chinnathambi Annavi

Presented by: Yuvajana Chavittunataka Kalasamithi Gothuruth

Directed by: Thampi Payyappilly

Day 2

Venue: Y.B. Chavan auditorium,Opp. Mantralaya

Date: Friday, January 10, 2014 | Time : 7.30 pm

Story: Karalman Charitham (Charelsmagne) Part 2

Day 3

Venue: Prithvi Theatre, Juhu, Vile Parle.

Date: January 11, 2014 | Time: 7 pm and 9 pm

Story: Karalman Charitham (Charelsmagne) Part 3 ( Subtext)

Name of Subtext: Story of Anjelikka

Written by : Raphel Acharuparambil

Presented by: St. Rocky’s  Nrutha Kalabhavan, Pallippuram

Directed by: Alex Thalooppaadath, disciple of late Guru Antony Charamkulam

Collect free entry passes from YB Chavan Centre, Rhythm House, Prithvi Theatre, Maharashtra Watch Company, Dadar and Giri stores Matunga.

Categories
Tech

Nokia launches Lumia 1320 and Lumia 525

Two new phones from the Nokia Lumia stable hit Indian shores today. A look at what’s good and what’s hot.
by Manik Kakra

Nokia today launched its Lumia 1320 (see image above) in India. The device, first seen at the last Nokia World, sports a 6-inch 720p LCD touchscreen with Corning Gorilla Glass 3 on top. The phone has a 5 MP rear camera (f/2.4) along with an LED flash and it can shoot full HD videos at 30 FPS; while the front has a VGA camera.

Under the hood, this Windows Phone 8 device has Qualcomm’s 1.7 GHz dual-core Snapdragon S4 SoC, with 1 Gb of RAM. Connectivity-wise, the Lumia 1320 has microUSB 2.0, Bluetooth 4.0, WiFi b/g/n, NFC, A-GPS, and 3G. Powered by 3,400 mAh battery, the phone comes with 8 GB of internal storage, which can be expanded up to 64 GB via microSD card, and users also get free 7 GB of storage space on Microsoft’s SkyDrive cloud service.

Yes, it does seem like the Lumia 1520‘s budget version, and it’s pretty much so. The Lumia 1320 comes in red, yellow, white and black colours, and has been priced at Rs 23,999.

Nokia_Lumia_525_Coming to the Lumia 525, it is the successor to Nokia’s popular Lumia 520. The phone has the same 4-inch (800×480) touchscreen, and Volume, Camera and Power/ lock keys. The Lumia 525 has microUSB 2.0, WiFi b/g/n, Bluetooth 4.0 and 3.5 mm headset jack. Powered by 1,430 mAh battery, this phone has a 1 GHz dual-core S4 SoC and 1 GB of RAM, which is double that of the Lumia 520, its predecessor.

Just like the Lumia 1320, the Lumia 525 also comes with 8 GB of internal storage, and microSD card slot for expanding storage and 7 GB of free SkyDrive storage space. Nokia’s Lumia 525 comes in black, white, orange and yellow colour options. Lumia 525 users will also get games, like Asphalt 8, N.O.V.A 3, up to Rs 2,025 free till end of March 2014.

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Read

Review: ‘Paperback dreams’

Rahul Saini’s newest book is a behind-the-scenes look at the (sometimes) murky world of book publishing and the writing process.
by The Editors | editor@themetrognome.in

Rahul SainiIf you’ve been an aspiring author, a recently-published one, or worse, a rejected one, you must read Rahul Saini’s Paperback Dreams.

The thing with writing a book in India today is that one gets complacent even before one takes up a plot, or a story outline, or even a pen. “So much nonsense is being published every day, I can write better than that,” one says, secure in the ‘knowledge’ that publishers – all publishers – are simply waiting for one to finish their magnum opus so that printing of the book may commence. And when one’s book is out, all one has to do is sit back and rake in the royalties.

That is not so, as Paperback Dreams explains in funny, sharp detail. The book’s three protagonists – published authors Rohit Sehdev and Jeet Obiroi, and aspiring author and school student Karun Mukharjee – are presented in three parallel narratives, but are connected at various points in the story. All three are published by Dash Publishers. Rohit is a bestselling author who is being cheated out of his royalties, but he is initially too afraid to even have strong words with the publisher. Meanwhile, Jeet is cruising along with the success of his first book and his movie star looks, but he is constantly dogged by a dark secret about his book that he hopes nobody will ever find out.

Meanwhile, Karun has cracked the formula for the perfect love story – after a bit of research of best-selling authors’s works, he has finished his debut novel and is due to be published while still in school. However, he hits upon a Machiavellian plan to achieve his ends – not content to merely be published, he wants to ensure that he becomes the star for Dash Publishers as their other best-selling authors fall to the wayside.

Readers will recognise some of India’s spectacular publishing successes that Saini mentions off and on – there are references to Bhetan Chagat, for example. However, Saini’s paperback dreamslight-hearted take on the publishing industry also reveals several dark truths. It’s not all hunky dory in the publishing world – publishers routinely cheat authors of royalties, new authors’s books are not promoted or stocked in bookstores, debutant authors sometimes have to rewrite major plot points to please the publisher, and plagiarism is a common phenomenon. Also, as Saini deftly points out, it is really not that difficult to get published these days.

Overall, the book is an enjoyable read, but you will be a put off by several typos that suddenly appear in a few chapters in the middle of the book. Obviously, somebody’s been sleeping at the editing table. Other than that, you might also think that the Karun narrative is a bit simplistic, even clunky. It’s all okay till he devises his evil plan, but the methods he adopts and the results he gets seem a bit far-fetched.

The most relatable character is Rohit, for his low self-confidence, his obvious talent that he is reluctant to advertise, his constant whining about his problems while lacking the courage to take corrective action. So many of us are like that. How he finally tackles the publisher in a comical denouement would make for a good scene in a film. In fact, we rather suspect Saini wrote this book for celluloid, like a certain Mr Bhagat.

Rating: 3.5/5

Rating scale: 1 = Awful; 2 = Slightly rubbish; 3 = Tolerable read; 4 = Good; 5 = Paisa vasool.

Check out Rahul Saini’s Paperback Dreams here.

(Author photograph courtesy Rahul Saini, featured image www.compassbook.com)

Categories
Event

‘Koffee With Kahani’ goes off with a bang

The Metrognome and Silver Innings hosted their first storytelling event for senior citizens at Borivli and got a great response.

It was a simple enough task – write a story, then present it to an audience. There were just two conditions – a senior citizen must write the story, and he or she must team up with a youngster to present it to an audience.

Navanita Parmar presents her love storyWhat was the need for this? Says Sailesh Mishra of Silver Innings, who we teamed with for ‘Koffee With Kahani’, a storytelling session over snacks and coffee, “When we were young, our grandparents told us stories to amuse and educate us. Sometimes, they made up stories on the spot. This activity helped generations bond with each other. These days, though, with families going nuclear and even with grandparents and youngsters glued to TV sets, the art of storytelling is lost. There is hardly any conversation between our elders and us. So this activity will, we hope, bring back our storytelling tradition in a fun way.”

We set December 28 as the date for participants, and selected three great love stories written by Navanita Parmar, Jimmy Dordi and Arun Pandya. The teams set to work, working with youngsters Sanket Jalgaonkar, Renu Jain and Sadaf Surti to present their stories. Of the three, Navanita’s story was a fiction, with the other two stories were real life incidents.

The turnout for the event was great – a mix of senior citizens and youngsters turned up at the Veer Savarkar Udyan, Borivli, to hear and watch three love stories. All three stories were great – Navanita’s moving story was set in the backdrop of mental illness and separation, Jimmy’s story was a hilarious reenactment of his own honeymoon 45 years ago, and Arun’s story was a fun flashback to the time that he as a young man shared a few magical moments with a stranger in the monsoon. Hemendra Jimmy Dordi collects his winner's trophy with his teammate Renu JainBengali provided background vocals to set the stories to music – in Navanita’s story, the gifted singer even provided siren sounds!

The audience voted for Jimmy’s story as the best of the three.

Said Arun, “This was a fun exercise and we enjoyed our rehearsals, too. All three teams would rehearse their lines together and suggest ways to better each other’s presentation. There was no spirit of rivalry at all.”

If you or someone you know would like to be a part of the next ‘Koffee With Kahani’ event, drop us an email at editor@themetrognome.in/silverinnings@gmail.com and we will get back to you with the event schedule, registration process and rules. 

(Pictures courtesy Sailesh Mishra)

Categories
Tech

Review: LG’s Nexus 5

LG’s newest offering adds punch to a device that improves on its predecessors, if you can ignore a few niggles.
by Manik Kakra

The Nexus series has only gained popularity ever since it was rolled out by Google. With the Nexus One and even the Nexus S, the series of phones was only aimed at developers and modders who are interested in their phone’s internal – be it software or hardware. With the Galaxy Nexus, we saw quite a few users starting to take an interest in the phone (big thanks to its pentaband capability).

Then came the Nexus 4, and Google along with LG, decided they would also play with the price factor. The device was shiny, made out of glass, almost latest hardware, and latest software. And now the Nexus 5 – latest hardware, software, simple design, and again a price that won’t make your wallet cry as most of the other flagships today may.

What’s really up with the Nexus 5?

Hardware: LG’s Nexus 5 (D821) is more or less, at least internally, based upon the LG G2. Powered by the Snapdragon 800 SoC (2.2 GHz Krait 400 quad-core, Adreno 330 GPU) and 2 GB of RAM. It comes in 16 GB and 32 GB storage options, and packs 2,300 mAh battery. Running on the latest Android 4.4.2 OS, the phone has, of course, stock Android.

Sporting a 4.95-inch full HD LCD touchscreen, the phone is slightly smaller than the G2, but larger than the Nexus 4. On the back, there is an 8 MP (AF) camera, along with an LED flash; while the front has got a 1.3 MP camera.

Design: The phone has a very simple design. You won’t be left breathless with its looks, but it is not boring at all. With rounded edges and a curved back, the phone fits nicely into your hand. The plastic used (white model in my case) on the back is not very glossy or slippery. Similarly, the front is also not completely coated in glass like the Nexus 4.

LG Nexus 5On the front, above the screen, there is a distinct white speakergrill, and below the screen. Two grilled speakers at the bottom (only one is a loudspeaker, while the other one is a mic), with the microUSB port placed between them, sort of reminds me of the iPhone 5. On the back, the Nexus logo, which is reflective on the white model, looks nice and certainly adds to the phone’s overall looks.

The camera protrudes a bit at the back. On a side note, pressing the back of the phone with your thumb or finger, especially on the logo, causes the back panel to get pressed, and that might bother those who care a lot about their phone’s body. That pretty much tell you this isn’t your HTC One or iPhone 5 when it comes to build quality. On the left side panel, you only have the volume rockers, and on the right side panel are the micro SIM slot and Power/ Lock button placed right next to it. These buttons are made out of ceramic and are quite sharp than your usual physical buttons, which could be a bit uncomfortable for some, it was just fine with me. Thanks to these buttons construction, you get a nice feedback on pressing them pretty much every single time.

Having said that, if you try shaking them left and right (rather, rattling them), you’ll see they aren’t very well put together in the whole body – this definitely bothered a little. The top has the 3.5 mm headset jack, secondary mic, and there is an LED light right under the screen, where you would normally have physical buttons.

Screen: The phone has a 4.95-inch 1080p LCD. LG hasn’t really disappointed us before when it comes to screens, and it isn’t very different here. The screen is quite bright, colour-rich, and has got decent viewing angles. My review unit had a light leaking issue (right next to the volume buttons and front-facing camera, probably just a one-off case), but it isn’t really an issue in any other units I’ve seen. While the screen isn’t as nice as the G2 or Note 3, it is pretty good and holds quite well against today’s flagship phones’ screens. And yes, it is very well calibrated.

Camera: The phone boasts an 8 MP camera that also has OIS and can shoot 1080p videos. You can check a few sample images here.

The camera is not bad. The 4.4.1 (presently on 4.4.2) update made the stock camera app faster, images sharper, but you may feel you’re still missing out against the likes of the iPhone 5s, LG’s own G2, S4 or even a year-old iPhone 5. Google has also introduced HDR+, which isn’t exactly your traditional HDR mode. HDR+ seems to give different result than what you would expect from HDR, but the mode definitely helps in taking good shots with the Nexus 5’s camera.

You can change the default camera app, but it may not enjoy access to core level as the bundled app does, which means less options and power available to you while taking shots. So, the camera quality is pretty good in daylight, but is just average when the conditions aren’t favourable. To sum the phone’s camera quality, it is noticeably better than the Nexus 4, but well short of the G2.

Audio: The phone’s in-ear audio quality is clear and quite loud (using the bundled headsets). But the loudspeaker’s output is disappointing. It is tiny and distorts at the two highest volume levels. It is way below the G2‘s quality.

The call quality is fine, though I have used phones with louder in-ear sound, I didn’t have any problem with what the Nexus 5 does. WiFi reception holds just as well, and network reception is just as good as you would expect from a flagship smartphone today.

Software and performance: Android 4.4 marks the platform’s move from Dalvik cache to ART (Android RunTime), apart from visual tweaks, new APIs and features. While it is still in the testing stage, you can enable it from Settings in order to give this new runtime a shot, and it’s clear that Google probably wants an alternative to the long-running Dalvik, but whether this is to support mid-range Android devices or just to give an overall performance boost, is yet to be seen.

Android 4.4 KitKat has, other than anything else, given the OS a visual change. There are quite a few changes you’ll see as soon as you start using the device. The icons are now slightly larger than before and that’s definitely a good move by Google. Simply making them larger has given the stock launcher a facelift and also icons in the dock much nicer. I wish fonts used would have also been something different, but that may be just me. It has three Home screens by default, plus, Google Now on the leftmost (swiping left to right) and uses “OK Google” to start the voice assistant.

You still have the Google search bar put on Home screens, same folder and icon arrangement – no changes there. Pull down notification bar is also a bit changed. Settings has now been given a place in the bar and its icon has changed to a cog. The more you use the OS, you will see Holo design has been, umm, whitened. It has been made a few shades lighter, and I am not complaining.

Another addition to the OS is better native emoji support. This means there are no more blank boxes or half missing emojis in any app. The stock google keyboard gives you emojis on long-pressing the Enter key.

Oh, and Google has replaced the default SMS app to Hangouts. So, your video calls, GTalk and phone messaging are all under Hangouts. Is it done neatly? No. This was probably the only half-baked part of the OS. If you’re a heavy SMS user, installing a dedicated SMS app and making it the default is suggested, especially since the Hangouts app doesn’t do good job at separating messages, GTalk IMs and video calls from one contact from your Contacts list.

Using TrueCaller? Well, Google has sort of come with its own way to give users identification to numbers in their call list. If the number is listed in Google’s Business data, you can search the number in Dialer to see the contact details. Handy.

As far as the phone’s performance is concerned, Google has already released two minor updates since the phone got out, and Nexus 5 surely utilises its software and hardware combination in a great way. The OS runs very smoothly – I had no app hiccups (ART may not be your best option here), and I didn’t notice any performance issues throughout my usage. The Nexus 5 is, without a surprise, one of the smoothest smartphones out there.

I think LG’s Nexus 5 is probably the best smartphone you could by in Rs 30,000 today. If you are okay with its camera’s performance, and those little hardware niggles (buttons and back) aren’t going to worry you, this is a great phone for you that guarantees prompt OS updates and gives good hardware inside to power all of it.

Categories
Event

Art discusses human existence

A week-long group exhibition at Nehru Centre Art Gallery will discuss the question of existence; four city artists will participate.
by The Editors | editor@themetrognome.in

'Krishnamay Radha' by Harshada TondwalkarFour Maharashtra-based artists will, from December 24 to 31, discuss the concept of existence – through a series of paintings in oil and water colours on canvas.

The paintings are on various topics within the same theme, and the participating artists are Dilip Kolte, Anil Jadhav, Amol Sule and Harshada Tondwalkar. While Dilip, Anil and Amol will showcase landscapes and figurative paintings in oil, pen and ink on canvas, Harshada’s compositions centre around the theme ‘Krishnamay Radha’ (see pic on left). “My work shows the extent to which Radha immersed herself in her love for Lord Krishna,” says Mumbai-based Harshada, adding that her eight canvasses took her about a year to prepare.

Head to the ‘Circular Gallery’, Nehru Centre Art Gallery, Worli, from December 24 to 31, 2013 to view the artists’ works.

(Pictures courtesy Harshada Tondwalkar)

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