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Review: The Gift

Lovers of suspense and psychological thriller stories will find themselves hooked right from start to finish of this great little film.
by Ravi Shet

Rating: 3.5 out of 5

At long last, a good suspense thriller has hit the theatres.

The Gift is the story of Simon (Jason Bateman) and Robyn Callen (Rebecca Hall), a married couple living in California. They leave Chicago and their miseries to start a new life. While purchasing things for their new home, they meet Gordo (Joel Edgerton), Simon’s former high school classmate. Simon is unable to recall Gordo from school. Gordo starts visiting the couple’s place, mostly when Simon is at work, leaving gifts such as a wine bottle, glass cleaner, koi fish.

He then invites the couple to his home. Within few minutes of their arrival, Gordo gets a phone call and he drives off saying that he will back within five minutes. In Gordo’s absence, Simon makes fun of him and explores the house with Robyn. When Gordo returns, he tells the couple that his wife left him along with children. Simon ends his friendship with Gordo and tells him to not visit their home.

 

Next day, the couple’s dog is missing and koi fish in their pond are mysteriously dead, which makes Simon suspicious of Gordo. He goes to Gordo’s home and finds out that the latter has never lived there. He then involves the police; however there is no evidence of any wrongdoing. Slowly the couple realizes that most of the things Gordo told them were untrue Robyn starts suspecting that she is not living alone in her home when Simon is at work.

The pace of the movie is well maintained by Edgerton, who is the writer and director as well. The camerawork by Eduard Grau is top notch, and sounds have been used to great effect throughout the film. The climax of the movie is well done, backed by Gordon’s mysterious gifts. Jason Bateman, Rebecca Hall and Joel Edgerton deliver great performances in their respective roles.

If you like chills and thrills, this is a must-watch.

(Picture courtesy variety.com)

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Review: Double Seat

This week’s release is about choosing between a home in Mumbai or the idea of a family; explored in sensitive detail.
by Ravi Shet

Rating: 4 out of 5

Double Seat directed by Sameer Vidwans is the story of newly married middle class couple – Amit Naik (Ankush Chaudhari) and Manjiri Naik (Mukta Barve) – who live in a small house with Amit’s parents (Vandana Gupte and Vidyadhar Joshi) and brother (Shubhankar Tawade) with the determination to buy a new home in the city.

The couple comes back from its honeymoon to their chawl based in Lalbaug, Mumbai. Manjiri works as an Insurance agent hailing from small town, living in Mumbai for the first time in her life, while Amit works in a courier company. She quickly settles into Mumbai’s pace of life and also learns how to ride a two-wheeler and catch the local trains. But the couple struggles to find privacy. There are moments when they resort to sending each other text messages to express their emotions.

 

As the days pass by, Amit tells Manjiri that it’s time to have their own home. They start their home hunt, Amit likes a house and pays a token amount for it. The couple is about to go ahead with their plans when Manjiri announces that she is pregnant. They now have to decide if they should buy the house or have a child, since they cannot afford the expense of both. This causes a rift between them.

The direction is excellent in terms of connecting the storyline realistically. The dialogues are good, too, as is the music by Jasraj, Saurabh and Hrishikesh.

Ultimately, the film rests on the performances by Ankush Chaudhari, Mukta Barve, Vandana Gupte and Vidyadhar Joshi, who are excellent in this film. Double Seat is a must-watch film for all Mumbaikars who struggle to find homes, love and meaning in the city.

(Picture courtesy www.megamarathi.com)

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Review: Gurukul

Langourous and tedious by turns, the Marathi film ‘Gurukul’ does not do justice to the plot with its slow pace.
by Ravi Shet

Rating: 2 out of 5

Written and directed by Rommel Rodrigues, Gurukul is a social drama that centres on ‘Gurukul’ an educational institution in a town named Ranjangaon. Its head, Nanasaheb Vishwanath Gokhale (Nagesh Bhosle), is fondly referred to as Guruji. The film starts with a party thrown for Ravi Thakur, one of Gurukul’s ex-students, who has won the CEO of the Year award. His friends Rishi and Rajeev also meet in the party along with their spouses. The three couples have been ex-students of Gurukul, and they plan to take some time out of their busy schedules to visit their college and Guruji.

During their road trip to Ranjangaon, they remember their good times at Gurukul and the film goes into flashback. The story starts from the day they enter the premises of Gurukul for the first time. One day, Rishi sees the news item of a Lavani show and plans to go with Ravi, Rajeev and another classmate. They cautiously leave from the hostel and reach the place; however they are not able to find the place where the show is happening; instead, the person guiding them takes them to bar where they play cards.

The bar is raided and everyone is arrested, however once Rishi and his friends say they are students of Gurukul, the police inspector takes them directly to Guruji. On hearing the incident, Guruji reacts in a very gentle manner towards the four students.

 

By the end of first half, these three couples are shown to graduate from Gurukul. It is in the second half of the movie, that the audiences realise that the existing Gurukul is different from the past one and also Guruji is no longer serving there due to local politician Girishbhau Velangekar (Vidyadhar Joshi) who has taken over Gurukul by fraudulent means.

Only the Lavani number sung by Asha Bhosale and the film’s plot can entice you into watching this film. The pace of the film is patchy and the first half is really boring. Watch at your own peril.

(Picture courtesy timesofindia.indiatimes.com)

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Review: Bioscope

Four different films set in one big canvas, Bioscope is a compilation of four poems interpreted by four Marathi filmmakers.
by Ravi Shet

Rating: 4 out of 5

Bioscope is a compilation of four films by four directors, made into a single film. These individual films are not connected in terms of plot or characters; however, the connection between them is all the four stories are based on poems by renowned poets.

The first one is Dil-E-Nadan directed by Gajendra Ahire, based on Mirza Galib’s ghazal of the same name. It tells the story of classical singer Padma Bhushan Nirmaladevi Indori (Neena Kulkarni) and Sarangi player Miyaji (Suhas Palshikar), who make a living selling almonds. An undelivered letter from Delhi gives a possible hint for an invitation to perform almost after two years. The emotions expressed through the ghazal connects the pain of ingnomity for Nirmaladevi and Miyaji. Watch out for the sets and art direction of this film, as well as the screenplay and crisp dialogues by Gajendra Ahire. Neena Kulkarni and Suhas Palshikar are top notch in this one.

This is followed by Viju Mane’s Ek Hota Kau based on Saumitra’s poem by the same name. This one starts with Swapnil (Kushal Badrike) who is called ‘Kavala’ (due to his dark complexion) jumping from one building to another on a daily basis to catch the glimpse of his love Paakali (Spruha Joshi). Paakali likes him too, and throws hints at him, but our mechanic hero thinks he is no match for her due to his dark complexion. Several scenes show crows cawing at each other – this is a metaphor for the hero but it becomes repetitive. This film rides on Kushal’s excellent performance.

 

The third film Bail directed by Girish Mohite is based on Loknath Yashwant’s poem. Panjab (Mangesh Desai), a cotton farmer from Vidharba, comes to Mumbai to participate in a rally that’s protesting against prices given to cotton farmers. He lands up in a shopping mall and sees the prices of cotton shirts being sold – this frustrates him and he agonises over farmers not getting their dues. He stays back to work hard and earn money, so that he can clear off his debts. The end scene of this film brings a lump in the throat. I loved this take on insensitive urbanisation and pathetic conditions of our farmers today. Mangesh Desai’s performance and dialogues by Abhay Dakhane are the highlights of this film.

The final film is Mitraa, directed by Ravi Jadhav, based on Sandeep Khare’s poem and Vijay Tendulkar’s story. This one is in black and white since the plot is set in pre-Independence India. Student Saumitra (Veena Jamkar) lives in a hostel in Pune. Vinayak Joshi (Sandeep Khare) is her best friend who has romantic feelings for her, which he expresses in a letter; however, Saumitra has feelings for her roommate Urmila. Saumitra describes how she discovered at age 14 that she was different from other girls. Veena Jamkar has given a heartfelt performance and the direction is good, too.

Bioscope is a collection of different genres and human emotions woven through four different movies which are unrelated; however it keeps the audiences engaged. Don’t miss the Bioscope song sung by Raghuvir Yadav in the end credits.

(Picture courtesy marathistars.com)

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Review: Murder Mestri

An intriguing plot is somewhat waylaid by its lazy treatment, but is saved by its stellar performances and crisp dialogues.
Rating: 3 out of 5

Murder Mestri, directed by Rahul Jadhav, is the story of Prabhakar (Hrishikesh Joshi) who works as a postman in Malgaon and has a strange habit of reading other people’s letters.

Prabhakar is close to his lovable daughter Pari, whom he tells bedtime stories. One day, the villagers find that Prabhakar has been hiding many of their letters for a while (to read at his leisure) and they beat and abuse him in front of the other villagers, including his wife and daughter. Pari believes that her father is a superhero and wants him to do something great that would make her proud.

He decides to stop reading people’s letters; however he can’t resist and soon opens another letter which says that someone named Madhav Mestri in Sawantwadi will be killed by his wife. Encouraged by Pari, Prabhakar makes his journey to Sawantwadi to find and save this Mestri; however on reaching his destination, he discovers that there are three people with the name Madhav Mestri.

 

One Madhav Mestri (Vikas Kadam) is recently married to Hemlata (Manasi Naik) and he is planning his honeymoon. The second Madhav Mestri (Sanjay Khapre) is the sarpanch of the village and his better half Saraswati (Kranti Redkar) while the third, Madhav Mestri (Dilip Prabhavalkar) is a doctor and Malini (Vandana Gupte) is his wife. Prabhakar writes and delivers letter to all the three Mestris, so that one of the Mestris whose life is in threat can be saved. The moment the letters are read by the three Madhav Mestris, it leads to chaos in the married lives of the three couples.

The plot is interesting but its treatment is passable, however the performances by Dilip Prabhavalkar, Hrishikesh Joshi, Kranti Redkar and Vandana Gupte take this film up several notches. Their comic timing is impeccable and the lines they speak are crisp, so if you’re looking for a good laugh riot, you could try this film out.

(Picture courtesy marathistars.com)

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Review: Minions

They are out to find the most despicable master of all time. But are they good enough henchmen of their era?
by Ritika Bhandari Parekh

Rating – 3 out of 5

The dungarees-wearing, goggle-eyed and pill-shaped creatures called the Minions are back. And this time, they help us trace their origins.

Right from losing the T-Rex as their master to wiping the Egyptian civilisation, their only purpose is to serve the ‘biggest and baddest’ master. With visits to the Dracula and the Yeti, the villainous humour is at times ‘so much fun, that it is a crime!’ But the Minions’ foolhardy antics bring about the downfall of the tyrants.

Faced with depression and no master, Kevin – a brave Minion – has a plan. Unwittingly, Minion Stuart and enthusiastically, Minion Bob join his mission to save their race. Their journey takes them to the land of Scarlet Overkill (voiced by Sandra Bullock), who is the coolest villain ever. They help her in a heist to steal the crown of Queen Elizabeth. And what follows, brings the tiny Minions to their ultimate master Gru.

 

Directed by Pierre Coffin and Kyle Balda, the movie has quite a few ‘aawww’ moments – especially when the Minions (voiced by Pierre Coffin) speak and sing in their gibberish language. The plot takes us on a rendezvous from New York to London. It also has stereotypes (like how the English love their tea), the regular villain convention and a long climax to take it forward. With the story completely resting on the Minions, it tends to become a bit predictable. The gags and slapstick humour will keep you glued, but the story should have risen above with a bit of intellect.

Bullock’s Scarlet is rightly named Overkill, as her evil intentions border on plain madness. She does a fine job of being the badass villain. Writer Brian Lynch has the pulse of the kids, but the adults will be left asking for more. This 91-minute animated comedy of errors makes for an average prequel to the stunning Despicable Me series. It is a one-time watch and a must watch if you are fans of the Minion army. So get ready to be squished by cuteness.

(Picture courtesy pop-verse.com.)

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