Categories
Diaries

‘Everything’s bigger in Texas!’

Runa Dey left Mumbai for the US in 2006 but still misses Indian food and the recliners at Infinity Mall.
Part IV of the ‘Away from home’ series.

I was 26 when I left Mumbai in December 2006. I’ve been here ever since. I live in Houston, Texas, and I currently work at SunAmerica Financial, a part of AIG.

My husband Sarosh is with JPMorgan Chase and he was promoted and relocated to the US. The move for me meant excitement at a prospectively easier lifestyle, trepidation at the thought of leaving a great job at HSBC with amazing people and hoping to find employment again, and topmost was the anxiety about the disconnect from all familiarity, as all our immediate family and dear ones are based in Mumbai or India for the most part. To think that I’d decided I’d only marry a Mumbai guy (which I did), so I could always live close to mum; I was never charmed by the ‘NRI /US resident’ tag. Oh, well!

My last day at work was a Friday, and I used the weekend and Monday for last meetings and goodbyes. There were farewell lunches and dinners, and I got a ton of advice about the US from people who have never been to the US!

I don’t recall a lot about leaving home for the last time: I did what I always did before a significant event, prayed at the little altar in the bedroom, touched Daddy’s picture on the wall and returned my set of keys to Mum – that  was awful, I don’t have keys to my home in Mumbai since then. I recall waving to Mum and my brother at the window, bumping into neighbours, the goodbyes and blessings, the last-minute hugs and kisses, dinner with the in-laws. My cousin and her husband dropped me to the airport, as I wanted my brother to be with mom instead of coming to drop me.

The smiling lady from British Airways Meet and Assist escorted me all through….we chit-chatted about working at BA (I’d worked there prior to HSBC), last-minute calls and texts.  The flights were comfortable and uneventful.  When I reached Chicago, the immigration officer processed my documents and said, ‘Welcome to the United States, Ms Dey’.  And it hit me, stronger, a lot harder than when the pilot‘s voice floated over the PA…I was in the US now; my daddy joked with me as a kid, that I should move to US and how it’s the perfect place for me. Guess Daddy knows best!

Chicago was snowing and the flight was delayed from 5 pm to an 8.30 pm departure. I called Sarosh about the delay, bought pink lemonade at the airport because the colour was beautiful, had two swigs and dumped it – I still hate it to this day, gross!  Then I spent the delay ruminating over what I had left behind and what was in store ahead.

I finally reached Houston past 10 pm. Sarosh was overjoyed to see me after two months; likewise for me.  We drove home, noticing the differences – road signs, driving directions, the apartment at Kirby Drive. When I stepped into my new home, the carpet was soft and warm as I took off my shoes.  Warmth always feels like home, and home it was!

I spent the first few days over my documentation – state ID, SSN, bank accounts, etc – and the weekend in San Antonio, a two-hour drive from Houston for a belated first anniversary celebration.

Houston isn’t huge on public transportation at all, everyone drives everywhere, so that was a big to-do. As it was the holiday season, everything was cheery and Christmassy, with lights and  trees. The local residents are wonderful overall. Houston is a very courteous city, there’s chivalry and manners and a lot of privacy! The time zones weren’t as bad as the change in schedule – from an 8 am in Mumbai where phones and emails abound, to waking up and doing nothing, knowing nobody, life was in slow mode. I don’t think adapting to the city was exceptional, maybe because Mumbai is equally big and busier. I do see the small-town Indians locally who literally rediscover life here.  My adapting was more to do with not being around my loved ones. I did get homesick, and probably more so, because I had time on my hands.  Life was easier and more comfortable for sure, but also an endless weekend for the most part.

I love Houston –the quality of life is well paced.  No pollution and filth and eve-teasing.  I feel safe here. It has a thriving employment market and a dynamic social scene.  A lot more space to live in, no cubby hole apartments. Everything is indeed bigger in Texas!

What I learnt after moving here was what doesn’t kill you, only makes you stronger.  I am more self-sufficient, I don’t rely on others now. Mumbai had me pampered beyond reason. I am now an early riser and domestically adept, ha! The biggest changes are life itself, our family grew, first with a pet, Zizou, then with a child, Xerxes. Becoming a parent, building a house, coming from a family with a no-pets policy… moving to the US means having Zizou in my life forever and for always.

I don’t have plans to settle back in Mumbai as of now. But not come back for even a two-week vacay? Nooooooo!

What I miss most about Mumbai… I live away from my loved ones and I love them even more. Apart from them, the local food. Indian food is crappy here. The beaches…I don’t have easy beach access where I live. And the blankets and recliner seating at red lounge Infiniti, Versova. The multiplexes here don’t hold a candle to Red lounge, sorry AMC and Cinemark!

Runa Dey was a Borivli resident before she moved to Texas, USA. Her pet dog, Zizou, is her first love.

Diaries is a weekly series of stories on an issue. The ‘Away from home’ diaries are stories of Mumbaikars who have left the city for a space of time.

 

Categories
Diaries

‘Travelling in Mumbai is horrible’

Journalist Amit Jha writes about what ails his favourite city, and how it compares with other cities he’s lived in.
Part V of the ‘Away from home’ series

I am a Kalyan resident, and I currently work with The Hindustan Times in Bhopal.

Actually, my journalism career started in Bhopal in 1998. I was employed with the Central Chronicle till 2003. Apart from Bhopal, I have been deputed to Pune from 2008 to 2009, where I was employed with the Sakaal Times.

My move to Bhopal from Mumbai was a rather sudden one. I hadn’t really thought about what I was going to do before I left. One fine day in October 1998, I left for Bhopal to my mama’s (Prabhat Jha) place in search of a job. Since he was also a journalist before joining the Bharatiya Janata Party, he got me a job as a trainee journalist in Central Chronicle then.

I’ll tell you why I left Mumbai. I still remember, it was the last day of Ganpati visarjan. Some of my friends had a big fight during the immersion procession. As both the parties were known to me, I played the mediator between them, but unknown to me, my father and elder brother had come to see what the fracas was about, and they started scolding me. They had thought that I was the reason for the fight. Without listening to my protests, my elder brother slapped me in front of a crowd of 300 to 400 people. I kept mum, and the very next day, I left for Bhopal.

I was a deskie (a person in the editing department of a newspaper, called so because he holds a desk job, as opposed to a reporter’s field job) throughout my journalism career. So I was a bit nervous after joining the Hindustan Times in Bhopal as a senior correspondent, in July 2011. The first few days as a reporter were difficult – I was a bit afraid of speaking to IAS officers and ministers for my stories. Also, all my friends of my first stint had left Bhopal. So I had to make new friends.

My days here are busy – wake up by 8:00 am, read the newspapers and leave for work by 10:30 am. Then I attend the daily reporters’ meeting in the office to discuss the stories to be filed on the same day. In the afternoon, I visit various offices that are important to the news beats that I cover. I return to office in the evening, file my stories by 9:30 pm, leave for home, have dinner and then read some book before retiring for the night.

I have stayed at Delhi, Patna, Goa and Gwalior. Some of the lanes of Patna don’t let you miss Mumbai, like the Boring Canal Road. Goa is a paradise. Every Indian should visit Goa once. Delhi, though the national capital, is a very harsh city in every sense – be it the weather or the behaviour of people. And the auto drivers there a bunch of cheats.

Bhopal is a clean city, with good weather. It is a city of huge lakes. People are nice, too. The only thing I hate about Bhopal is that there are very few restaurants here, so there are limited options for eating outside.

I miss the crowd, the zeal of Mumbaikars, the vada pav which you can get at any given time in Mumbai. But travelling in Mumbai has become too horrible for words, much like the quality of life… 80 per cent of people living in Mumbai suffer from diabetes and many other lifestyle ailments. When I first came to Mumbai in 1980, the taps were always full for 24 hours. With low pressure, water is available for only an hour daily.

I do come Mumbai regularly as my parents, wife and sons stay there. After having stayed in a few other Indian cities, I honestly feel that Mumbai has no match anywhere in the country. If only something could be done about how crowded it is…

Amit Jha is a 36-year-old print journalist with editing experience.

Diaries is a weekly series of stories on an issue. The ‘Away from home’ diaries are stories of Mumbaikars who have left the city for a space of time.

 

 

Categories
Big story

New tariff cards are out

Get the new RTO-approved tariff cards for the ride of your choice and avoid being fleeced by autowallahs and cabbies. In the absence of recalibrated meters, you’ll know how much you need to pay.
by The Editors | editor@themetrognome.in

The Motor Vehicles Department has uploaded the new tariff cards for autorickshaws and taxis on its website; yesterday, the RTO-approved cards were issued to drivers of these vehicles all across the city. The ride you take today onwards might end in the driver trying to fleece you, but with tariff cards available for download in five categories, you really have no reason to be cheated on your fare. Get the new cards here.

Remember that all fares are rounded off; fares from paisa 1 to paise 49 are rounded off to a lower figure, while fares from paise 51 to 99 are rounded off to a higher figure.

Apart from the issuance of new rate cards, it turns out that the heads of auto and taxi unions in the city have issued “strict instructions” to their union members to “immediately inform the union if any member is using an unauthorised tariff card.” Speaking to The Metrognome, Shashank Rao, assistant general secretary of the Mumbai Autorickshawmen’s Union (MAU) said, “Ever since the government made the decision to hike the fares, we have strictly informed our men that they must procure RTO-approved tariff cards only. The new tariff cards have already come today (Wednesday, October 10), so all union members must have got them. Also, we have issued written instructions to our members that if they find anyone possessing a fake tariff card, they must inform the union immediately.”

However, he declined to say what the penalty for carrying a fake tariff card would be, insisting that “strict action” would be taken against such auto drivers.

Meanwhile, Thambi Kurien, general secretary of the Mumbai Rickshawmen’s Union, said that instructions for good conduct and the usage of the correct tariff cards and not rigging meters are always issued. “But we have no way of ensuring that they (auto drivers) are following these instructions. But since the RTO comes down very heavily on errant drivers, they (the drivers) have no option but to carry the correct tariff cards. Also, they know the consequences of tampering with the meters.”

Kurien – who broke away from the Sharad Rao-led MAU a few years ago to float his own union – said that the demand by both taxi and auto unions that meter calibration be postponed to next year, was not correct. “When the government agreed to a price hike, it was with certain conditions that all parties agreed on. One of these conditions was that all calibrations would happen within a period of 45 days from the rate hike. We will have to adhere to it.” Shashank Rao, meanwhile, said that it was unlikely that any autorickshaw driver had attempted to recalibrate the meter so soon. “We are waiting for the government’s reaction; we have asked that the recalibration be done not before May 2013 (when the next fare hikes will happen).”

A further complication to the entire calibration drama is that meter repairers and manufacturers are being coaxed by the transport commissioner’s office to finish the recalibration process within Rs 400, which these companies have refused to do. Generally, a mechanical meter is recalibrated in not less than Rs 600.

Meanwhile, A L Quadros, general secretary, Mumbai Taximen’s Union, said that the union members would strictly carry the new tariff cards issued by the RTO.

If you face problems on your commute

In the event that an auto or cab driver was rude, refused to ply to your destination, had a tampered meter inside the vehicle or had an unauthorised tariff card, call the RTO complaint helpline on 1800-22-0110, or fill out a complaint form to give full details of the offence. As per RTO sources, there has been a 20 per cent increase in complaints from commuters, for such offenses as meter tampering, refusing to ply, plying without meters, carrying fake tariff cards and demand for fixed fares.

“Commuters have three options – they can call the RTO helpline, or write a complaint using the RTO complaint form, or they can walk up to the nearest traffic cop and enlist his help,” said V N More, Traffic Commissioner, Motor Vehicles Department.

More added, “In addition to the existing penalties and action under the Motor Vehicle Act, we now register complaints under Section 120 of the Indian Penal Code against drivers and permit holders who tamper with meters or use bogus cards.”

Mumbai tweets on the auto and taxi fare hike:

@greyoceanblues: A Rs 35 auto ride costs Rs 60 now. Wow. #mumbai

@chin80: New Auto fares are soooo much! Rs. 25-30 more for same distance!!! Lag gayi..

@rickfare: @atulkarmarkar Hi Atul! The new fares have been updated on http://rickfare.com. Spread the word 🙂

@mysti: Download the new auto and taxi fare list from http://www.hindustantimes.com/farelist #mumbai

@htTweets: Mumbai’s steepest ever auto and taxi fare hike comes into effect from today. Here is the tariff list read.ht/T6n #ht

 @Netra: Reminder 😛 : #Mumbai Rs. 15 as the minimum fare for autos & Rs 19 as that for taxis from Oct 11th : bit.ly/R5BDh8

 @bombaylives: Nice to see empty auto-walas, everyone seems to have moved to Buses. #bombay #mumbai

 

Categories
Hum log

Her quest for Olympic gold

Twenty-six-year-old Ayesha Billimoria, one of Maharashtra’s star athletes, battles a disinterested system that she says does not respect its sportspersons.
by Vrushali Lad | vrushali@themetrognome.in

Blood. Sweat. Tears. And a world of pain. As an athlete, you pound the track and practice alone, come inclement weather or clear skies. You clear one milestone and set another. You work every day and you live by the rules. You listen to your body and respect its protests. And with every tumble, you pick yourself up, ignore your bloody knees, and you run again.

Ayesha Billimoria did all this and more. She raced in scorching heat. She swallowed her pride and trained under a bully of a coach. She broke records. She bruised and pushed her body beyond its limits. And when nobody was with her, and even after those she had begun training professionally with had quit the sport, she still ran. And ran some more.

“In June this year, I took silver at the state-meet (at Balewadi, Pune). If conditions had been right, I would have won gold. They’re going to find a very different Ayesha at the meet next year,” the petite, pretty 25-year-old warns, a hint of murder in her eyes. “I hate losing, and for the first time in my life, I actually said that the girl who won the gold had won it for the last time. Normally, I let my running talk for me.” So what happened this time? “Everything. They kept the first race at 12.30 in the afternoon, followed by a two-hour break and the 400 metre race at 2.30 p.m. Who runs at that time in the day? And then the races were delayed. I ran on an empty stomach and I blacked out in the heat, though I completed both races. I’m going to be better prepared next year,” she says.

The life and times of Ayesha Billimoria

Ayesha took to serious running at age 14,  when she ran her first school race and won gold. Savio D’Souza, who later coached her, spotted the talent in her and told her to give running a serious thought. She did, with the result that the very next year, in 2001, she won her first gold medal at the ICSE National Meet in Bangalore. “I was running in earnest, and my only objective was to run for the Olympics. That dream sustains me even today,” she smiles.

We’ve sitting in her home in Khetwadi, a typically large Parsi house that Ayesha has only moments ago welcomed me in with a big smile. She’s spent the morning giving a massage to a client – she is a sports masseuse in her spare time, apart from being an occasional model – and is very open about her life has shaped up. “I’ve always wanted to be an Olympic medallist,” she says. “I’ve put everything on the line to be an athlete, and would you believe, till I was 21, I was so removed from things that were not track-related, I did not even know how to operate a computer or email! I’ve faced so much rejection, so many people have said they won’t sponsor me, and so many more have pulled me down. Others who used to train with me left the sport years ago. But I am determined to run at the Commonwealth Games in 2014. After that, I will represent India at the Olympics in 2016,” she says, as nonchalantly as one would say that their next big goal was to order a Chinese takeout.

What must one do to qualify for CWG, I ask. “Nothing, apart from perform. And I will,” she states.

Since her first race in 2000, she has added a bevy of medals (most of them gold) and award trophies to her prize cabinet at home, the last being her silver medal win at the Pune state meet this year. By now, she is firmly sitting pretty as Maharashtra’s number one athlete in the 100 metre, 200 metre and 400 metre categories. But she is bitter and quite often during the interview, seriously annoyed. She confesses that a couple of early false starts on her part, and almost no professional guidance from those in the know, resulted in her being plagued by running injuries and a loss of form after her initial good run. “From being number one, I was suddenly the girl who always stood fourth,” she frowns. “I was made to train at a level I was not ready for, and by 2005, my form had dropped very badly. So much so, that even my father, who had been very supportive from the start, began to lose interest in my dream.”

In 2006 – “the lowest point of my life” –a car accident gave her several new injuries, the worst being a tail bone fracture. “People thought I wouldn’t run the way I used to. ‘She is finished’, they said. The worst of it was, I was back on my feet without any guidance on how to retrain,” she says.

She rolls her eyes as she explains how she has had to make do with the “really pathetic” running track at Priyadarshini Park, the city’s only synthetic track for athletic training, and how she has run everywhere in all climatic conditions, just to train. “The problem in India is that nobody guides you about running to your natural rhythm, training after injuries, working out enough to supplement your ability on the track. I was constantly told to pump my arms, run a certain way. That makes me lose focus,” she explains, adding that athletes in India not only train in bad conditions, but that they are “put down all the time, there is no motivation to pick yourself up, you are often mocked when not performing well, and though people are friendly to your face, they’re bitching you out behind your back.”

After three torturous years of making it back on her feet without a coach or proper therapy, she took up a job as a trainer at south Mumbai’s QI gym in 2009, where she met physiotherapist John Gloster (who trained the Indian cricket team). “John worked at the gym, and he started training me for rehab. I hadn’t realised that I had been running with major injuries for three years. One day I told him about my Olympics ambition. He told me to go to Australia and train if I was serious about running.”

Help me!

Gloster put her in touch with his friend, Gavin Fernandes, a 200o Olympics gold medallist and a trainer in Australia. “I wrote to him in 2010, and he and I had a chain of emails where I would increasingly beg and plead with him to train me and he would refuse because he was busy. After two months of constant pestering, he finally gave in, saying I could come to Australia in May,” Ayesha laughs.

Her Australian coach proved to be a god-send . “He put me down several times, but he did that so I could realise how shallow my thinking was, how many excuses I was constantly making, how much negativity was in my head when I ran,” she admits. “Soon I was running well, peacefully and without stress, in an environment that respects sport and treats it like a fun activity. I was in my first race there within a month of reaching Australia, and I clocked my personal best of 58.08 seconds. I felt like a new person – the run was enjoyable and I was able to give my best.” She decided at that moment that she would train under Gavin’s guidance and only in Australia. “After my silver medal win in June, several Indian coaches have wanted to train me, but I’ve refused them all,” she says, adding that she pays for her Australia sojourns from the money she makes from her massage and modelling work.

Funds needed

Surprisingly, though she doesn’t have the monetary means to do it, she reiterates that she’s going to the CWG in 2014 and also to the Olympics in 2016. “You know why international sportspeople do well? They have a unique bond with their coaches, and they trust them completely. Besides, being an Olympian requires a certain attitude that I find lacking among Indian athletes, barring a few. Gavin told me at the start that an Olympic athlete knows that the 400 metre race is not about physical ability, it’s a mental game that’s won even before the race begins.” She adds that she met a few Indian Olympic hockey team players at Balewadi this year. “You should have heard them talk. ‘Haan, Olympics ja rahe hain. Dekhte hain kya hota hai,’ they said. That attitude will never win you anything,” she shrugs.

For now, she is focussed on getting together enough funds to leave for a longer training session in Australia in January next year. “I need a sponsor for my training, and I’ve gone to so many companies so far, but everybody’s refused,” she says. “They all ask: ‘Have you won nationally? If not, we can’t sponsor you.”

She says she needs a sponsorship of at least Rs 6,00,000, but she wonders where to get it from. And though she will find a sponsor once she wins on the National platform, the funds are needed to aid a professional training process before her big success. “And once I win, all those who put me down will be the first to come out and say that they always knew I could do well,” she smirks. “Only I know what it has taken me, still takes me, to get up every morning and run. All I can do is train and be mentally ready for the Olympics, and in the meantime, be around people who truly believe in me.”

(pictures by www.martinriebeek.nl, Abner Fernandes) 

 

Categories
Do

Artful on the iPad

Artist KV Sridhar says his iPad allows him the liberty to finish a 3 x 4 canvas in two hours. Plus, he lists his favourite apps.
By The Diarist | diarist@themetrognome.in

KV Sridhar calls himself ‘an artist by training and an ad man by profession’. The national creative director of Leo Burnett India describes himself on his blog thus: From humble beginnings as a Bollywood film billboard painter to the National Creative Director of Leo Burnett India, Pops (as he is popularly known) has seen it all, and today is widely respected as a creative leader in the Indian ad world.’

When did you decide to create paintings using your iPad?

Some time in March or April 2011, when I started to flirt with the iPad. I stumbled upon some cool drawing apps and I started to explore them out of curiosity, till I found what I wanted. I found the perfect app to create oil on canvas.

What was it like, having completed the first work of art in totality? How different is the experience from painting on paper or a canvas?

Terrific. After the initial experimentation, I settled down to paint seriously and it took me a couple of hours to complete a 3 feet x 4 feet canvas. The iPad is the closest in terms of gratification, because of the touch screen. It is also as if you were painting on a real surface of paper or canvas. Various painting software were available for desktop computers for a very long time, but it kept the serious fine artist away because of the format – you had to draw on a tablet whilst looking at the monitor, and the hand-eye coordination is different from that of painting on paper.

Which app did you use?

After downloading loads of apps, here are the best of best, in my opinion:

– Art Rage: It’s the best for oil on canvas, but also a complete studio with oil, water, pastels and knives with millions of colours.

– Auryn Ink: The best for water colour with a good paper texture, and with wet and dry water trails option.

– SketchBook PRO: Great for random product drawings and sketches.

– Zen Brush: For wet paper Japanese-style work.

– Sketch Club: The Instagram version for sketching artists, and you can share your work with other artists in real time.

-ASKetch: The best for charcoal-like drawings.

– Paper53: Great for freehand drawings or illustrations.

My favorite is Art Rage and it is the best for oil on canvas with a resolution of 2048 x 2048. You can print on canvas at a very high resolution. [On his blog, he describes the use of Art Rage thus: ‘Art Rage gave me a complete studio of 2,000 square feet with innumerable capacity to store canvases both painted and new, hundreds of tubes of colours free with infinite shades, entire sets of hog hair and sable hair brushes, palate and painting knives, rollers etc, all this lifetime supplies for a meagre $7.00.’ (approx Rs 385)]

Can absolutely anybody use the iPad to draw?

Of course anyone can, but if a trained artist does, it shows. There is virtually no difference between digital and real, apart from the colour smells.

How many paintings did you finish?

For my first show, I painted 36 paintings in less then three months. In a normal course of time, painting oil on canvas would have taken me three years, at the very least. The first iPops show was held from June 11 to 30, 2011 at the Scarecrow Gallery (Mumbai).

Why did you decide to hold an exhibition? And how did people respond to it?

My artist friends who saw my work were amazed by the results, and encouraged me to exhibit. I was a bit nervous, since my last one-man show had been way back in 1984, but fortunately I had a great response from the advertising and media industry in general, and the art-buying community, while the conventional artist community put me and my work under close observation. I had done many shows for my conventional paintings from 1978 to 1984, but my iPad paintings only once. Ultimately, I am happy that I sold my work to help the girl child in our country. I sold work close to Rs 5 lakh and donated the proceeds to charity. Interestingly, the money come from friends and well- wishers, rather than hesitant art collectors.

Are you currently working on any new paintings?

iPops: Yes. I am working on a new series called ‘Sisters’. Again, this is to promote two girl children in a family, as it is becoming a rarity to have two daughters these days. Every family wants an ‘ideal’ family with a boy and girl, hence in future we may not see sisters. My attempt is to put focus on this issue. I am planning to have my second iPad painting showing in New Delhi before the end of 2012, and in Colombo and Los Angeles next year.

Meanwhile, check out these new iPad apps if you want to draw, paint, or generally get arty.  

Inspire Pro

 

Genre: Entertainment

Price: $7.99 (approx Rs 442)

Languages: English

Try Inspire Pro and you will quickly see that it is a painting app like no other! The key feature is the simulation of wet oil paint on canvas, allowing amazing blending effects with five real kinds of brushes. Whether you’re a beginner, expert, or somewhere in between, you will enjoy the simplicity and power of Inspire Pro.

Sketchbook Express

Genre: Entertainment

Price: Free

Languages: English, Chinese, French, German, Italian, Japanese, Spanish

Autodesk SketchBook Express for iPad is a fun and intuitive drawing application. Use professional grade tools and brushes to create doodles, quick sketches or artwork on-the-go.

My brushes for iPad

 

Genre: Entertainment

Price: $1.99 (approx Rs 110)

Languages: English, Chinese, French, German, Italian, Dutch, Japanese, Korean, Portuguese, Russian, Spanish, Swedish

MyBrushes is a unique painting application designed to create images and play back the whole painting process. It has 100 kinds of realistic brush styles to simulate the effect of brush painting, water colour painting, oil painting, Chinese painting, drawing, Chinese calligraphy, etc.

Wasabi Paint

 

Genre: Photo and video

Price: $2.99 (approx Rs 165)

Language: English

For  abstract and impressionist artists, Wasabi Paint is an immersive and tactile digital paint experience. Taking a different approach to other painting apps, its hyper-realistic 3D oil paint can be pushed, pulled, smudged, thrown and splashed around. This app is developed to allow an Impasto style of painting, in which thick paint is laid on with a 3D effect.

InkPaint

 

Genre: Entertainment

Price: $3.99 (approx Rs 220)

Language: English

Create beautiful artwork on the go with InkPaint. InkPaint allows new and experienced artists alike to quickly create beautiful cartoons or illustrations through its distinctive four-step work flow – 1) Rough out your drawing in Sketch mode 2) Neatly outline your work in ink 3) Colour your drawing with paint 4) Use the shade tools to add depth.

Draw

 

Genre: Utilities

Price: $0.99 (approx Rs 55)

Languages: English, Chinese, Dutch, French, German, Italian, Japanese, Korean, Portuguese, Russian, Spanish, Swedish

Create amazing art work with Draw. Draw makes drawing fun using innovative tools. Once you complete your work of art, you can edit it, apply effects, stickers, etc and then share it with friends.

Art Studio

 

Genre: Photo & Video

Price: $4.99 (approx Rs 275)

Language: English

ArtStudio is a very comprehensive sketching, painting and photo editing tool. Completely re-designed from the ground up, the new ArtStudio features a beautiful new user interface and a powerful new graphics engine to make creating works of art faster, easier, and more fun.

The Diarist is a tech junkie, and if you’re reading this, chances are you are, too. If you’d like to tell us about something new in tech, write to thediarist@themetrognome.in.

Categories
Deal with it

That game’s got your child

Survey conducted in the nation’s metros and major cities shows that children playing violent computer games are becoming increasingly aggressive.
by The Editors | editor@themetrognome.in

If your child is hooked on to his computer or mobile phone, playing away to kingdom come as a variety of bangs, screams and explosions rock the house through his screen, yank the device away from him immediately. He may be playing a game that is potentially blunting his sensitivities to aggression and what constitutes aggressive behaviour.

At a time when school kids are not thinking twice before picking up the nearest sharp weapon and stabbing another in the wake of an argument or minor scuffle, the increasing amounts of time that adolescents and teenagers are spending playing violent video games is a cause for worry. As per a survey conducted by the Associated Chamber of Commerce (ASSOCHAM) under its Social Development Foundation (SDF) in May 2012, violent video games are fuelling a rise in aggressive behaviour among children. As per the survey, “Due to the absence of parents at home, over 75 per cent of metropolitan kids between the ages of five to 17 years exposed themselves to violent video games, which lead to severely desensitivity to aggression and violent behaviour amongst them.”

The survey findings are grim – 60 to 80 per cent of the children surveyed displayed real-life aggressive behaviour owing to prolonged exposure to violent video games. The survey included over 1,000 teenagers and 1,000 parents in the major metros such as Mumbai, Delhi-NCR and Chennai, apart from Goa, Cochin, Ahmedabad, Hyderabad, Indore, Patna, Pune, Chandigarh and Dehradun. An interesting fact observed was that 65 per cent of the children surveyed had a computer in their bedroom, and thus, plenty of opportunity to get to a game.

Said D S Rawat, Secretary, ASSOCHAM, “Exposed to violence, the child loses his emotional connect [with others] and it becomes much easier [for him] to engage in violence.” Echoing this sentiment, Dr B K Rao, Chairman of the ASSOCHAM Health Committee said, “Increased exposure to violent video games leads to compulsive behaviour, loss of interest in other activities, and association mainly with other video game addicts. Parents should provide educational information [to their children] rather than violent games, encourage playing in groups rather than as a solitary activity, and set time limits on children’s playing time.” He added that young children often had difficulty distinguishing reality from fantasy, which made them more vulnerable to the effects of media violence. “They may become more aggressive and fearful if they are exposed to high levels of violence in video games,” added Dr Rao.

The survey added that parents felt that the most violent games were Grand Theft Auto, Mortal Kombat and Modern Warfare. Most games were either played online or were easily downloaded from sites such as Newgrounds and eBaum’s World.

Another interesting finding was that boys played violent video games more often than girls.  Also, of the children surveyed, those under age six played an average of about one to two hours on the computer a day, while pre-teens and teens spent nearly four to six hours a day in front of a  computer screen. The survey data also showed that boys became more desensitised towards the videos the longer they watched them.

Highlights in numbers:

– 62 per cent play almost every day

– 68 per cent play for excitement

– 52 per cent get restless and irritable if they can’t play

– 68 per cent sacrifice social and sporting activities for video games

– 42 per cent play instead of doing their homework

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